Wakanda, the Black Panther and the Attack on White Culture

But Explain Detroit… “Black Panther” Stars Believe if it weren’t for Western Colonization, Africa Would Boast Most Advanced Civilization on Earth

Shot. [‘BLACK PANTHER’ STAR MOVIE SHOWS AFRICA’S POTENTIAL If Not for Slavery!!!, TMZ, 1-30-18]:

The King from “Black Panther” says his Marvel movie is way more than a superhero flick — it’s also going to debunk a bunch of stereotypes about Africa. In other words … school’s in!

An image from Black Panther depicting Wakanda, the most advanced civilization on earth.  Doesn’t look much like post-white Baltimore, Detroit, Newark, Camden, or Jackson (MS)…

We got John Kani, who plays King T’Chaka, and asked if he thinks the highly anticipated film will ease racial tensions in America. His answer was, quite frankly, awesome.

“See the Black Panther, you’ll see we built the pyramids in Egypt,” he said.  

Chaser. [Lupita Nyong’o Hopes ‘Black Panther’ Will Help Many Envision What Africa Would Look Like If It Had Never Been Colonized, Atlanta Black Star, 1-31-18]:

At the world premiere screening of the highly anticipated film “Black Panther”, Lupita Nyong’o spoke to E! News briefly about what it actually took for her to pull off the fierce role of Nakia. Lupita said to perform this role she had to be in “particularly good shape for it to do the stunts. And she “loved it.”

We are about to see black power on celluloid like never before…

The actress then expressed her take on the movie. She explains that the fictional nation Wakanda is “such an exciting world to be in. Like none other we’ve ever seen.” She goes on to say it’s like we see “what would Africa look like if it was not colonized.” Nyong’o says she hopes the audience leaves thinking about if “they can be citizens of Wakanda.”

The black actors, more than 90 percent of the cast in the movie, actually believe it’s only because of colonization by Europeans the natural evolution of Africa into an advanced civilization boasting unparalleled technology was retarded (however momentarily). They legitimately – literally – believe “royalty is in our [African] DNA.

In post-Apartheid South Africa, where hyper-affirmative action laws (BEE) have mandated the shuttering of competent white engineers in the private/public trying to maintain infrastructure whites long ago built, rolling blackouts are the norm and Cape Town is on the verge of running out of potable water. Don’t even get us started on Ponte City Tower in Johannesburg

Afrocentrism on steroids is the only way to describe Black Panther, when an overwhelming amount of empirical evidence (pattern recognition) actually showcases the concept of black power being the greatest EMP to western civilization – any civilization – once implemented.

#WakandaIsntReal: The Story of a White American Who Tried to Rebuild a Centuries Old Bridge in Ethiopia (Originally Built by Europeans)

PK Note: I forgot I wrote this, but it’s included in Captain America and Whiteness: The Dilemma of the Superhero, published in August of 2011. It discusses Wakanda and the Black Panther, long before the dream of a film on the African King had come to fruition. 

Even though Stephen Hawking can’t find a Black ((((((Albert Einstein)))))) living in Africa; even though 98 of the 108 patents granted in all of Africa came from white people living in South Africa; even though not one invention of significant importance can be attributed to an African; even though immense resources have been mined by European, American, and Chinese companies, where the indigenous Africans can’t conceive of usages for them; even though all of the aforementioned is true,  Marvel Comics decided that the nation with the most advanced technology would set in the mythical African nation of Wakanda, protected by the Black Panther.

 
A bridge in Ethiopia, built by Europeans centuries ago. Africans never rebuilt the bridge, so they cross it via ropes

Though the only Nobel Awards given to those of African descent have come in either peace or literature, Marvel expects us to believe that the most advanced technological society on earth is in Africa.

Wikipedia tells us:

Wakanda is a fictional nation in the Marvel Universe. It is the most prominent of several fictional African nations in the Marvel Universe. Wakanda is located in Northeastern Africa, although its exact location has varied throughout the nation’s publication history: some sources place Wakanda in East Africa, just north of Tanzania, while others – such as Marvel Atlas #2 – show it bordering Lake Turkana, near Somalia, Kenya and Ethiopia (as well as fictional countries like Azania, Canaan and Narobia). Wakanda first appeared in Fantastic Four #52 (July 1966), and was created by ((((((Stan Lee)))))) and ((((((Jack Kirby)))))). The name is evocative of the Wakamba tribe of Kenya.

Marvel would have us believe that a continent, where the overwhelmingly majority of innovation is originating from white South Africans, could produce an ancient land called Wakanda that harbors one of the most advanced civilizations in the world.

At this point it would be wise to reproduce an article from a 2002 issue of National Geographic that discusses the breadth of African innovation. That article showed a bunch of Africans standing on a dilapidated bridge built by Europeans for the famous Ethiopian Emperor Fasilides more than 300 years prior. Influenced by this picture Ken Frantz, a white Virginian who was in the construction and building industry, decided to found Bridges to Prosperity to help rebuild this collapsed European bridge in the heart of Africa; a task that Africans were incapable of doing.

Here is that article which discusses Ken’s inspiration to found the group:

Ken Frantz decided to fix an Ethiopian bridge because, he says, “I’m a boy, and boys love bridges.”Happily, this “boy” owns a construction company.

Ken, 52, was waiting for mechanics to service a truck in his hometown of Gloucester, Virginia, when he picked up the December 2000 Geographic. He saw a photo of Ethiopians being hauled on a rope across the Blue Nile- a 360-year-old bridge that had been destroyed during the Italian occupation of 1935-1941. “I looked at the photo once, twice, three times,” Ken recalls, “and it came to me: What I want to do is repair that bridge.”

Ken helped launch Bridge to Prosperity, dedicated to building bridges to help create wealth in developing nations. The group surveyed the site, won backing from tribal elders, and chose a lightweight steel design. Donkeys toted in 25,000 pounds of supplies, and Ken, his crew, and Ethiopian volunteers rebuilt the bride in ten days at a cost of $108,000, largely donated by the organization’s founders.

“Half a million people live near the bridge,” he says. “Now they can trade, get to hospitals and schools on the other side, and see family they haven’t seen for years.” Ken’s group has also built cableways in Nepal, a suspension bridge in Indonesia, and a second Ethiopian bridge.”

Why did it take a white guy in America, galvanized by a desire to help those less fortunate, to help build a rebuild a destroyed bridge? Frantz explained further:

“It was built in 1640, approximately, by a very famous emperor, Fasil. And he was just a building maniac.”  Emperor Fasil’s bridge spurred a flourishing trade route. But as people chopped down trees in this area, erosion increased – and so did flooding. Increased flooding undermined the bridge.

 
A white engineer in the USA helped rebuild this bridge, because Wakanda isn’t real.

“So it was constantly being washed out. Until it got the name the Sebara Dildiy. Sebara Dildiy in Amharic means broken bridge.”  In 1936, Ethiopian nationalists destroyed the Sebara Dildiy on purpose, to slow Mussolini’s invasion during World War II. Makeshift repairs using logs held the bridge together until the mid-1950s.  After that, travelers and their livestock could only cross the river on a tattered rope, pulled by ten men on either side of the river. Nine years ago, Ken Frantz saw a photograph of this precarious scene in National Geographic and decided to fix the broken bridge. He assembled a team to repair Sebara Dildiy in 2002 using steel beams that were painstakingly carried down and assembled on site. But THAT bridge didn’t last. A flood destroyed it in 2006. That’s why Frantz and his team have returned to Ethiopia – to try again. This time, they’ve taken on a more ambitious project: A new, cable suspension bridge, much longer and higher off the river. But not everything would go as planned.  “All right, tell everyone, higher one is coming from the inside…”  Bridges to Prosperity’s director of operations Avery Bang supervised final preparations. She found a few surprises. Her group had trained a young Ethiopian engineer to oversee construction of steel and concrete anchors on opposite walls of the canyon.  These would secure the cables. But the location of the anchors was different from what the plans had called for.  “The excavation was supposed to be further back and deeper. What are you going to do? You have to redesign.”  So the team revamped the way the cables would be cemented into the anchors. The pace of work picked up after all six cables had been hauled into place. On one side of the river, workers began winching the cables tight.  The cables slowly rose in a gently drooping arch between the canyon walls. On the other side, workers sawed wooden planks for the walkway. Ken Frantz and two of his brothers nailed the planks in place.  They were halfway across the span, 80 feet above the river, when calamity struck. A stone pillar that anchored one of the handrails rocked, then tipped, then tumbled down the steep hillside. Ken Frantz’s brother Forrest later recalled the tense moment.  “We looked up, looked out across the river, and it’s pretty far away – it’s hard to see the details, what’s going across the river – but you could see the tower collapse. The cable dropped, hit the ground, and a cloud of dust came up. The next thing we heard was horrifying. And that was the sound of things dropping into the river. We could not see through the dust. We didn’t know what was falling into the river. We did not know if it was rocks or if it was people.”

Why didn’t the Wakandians build the bridge for them? You see, in the real world, American engineers motivated by altruism – such as Ken Frantz – build Africa’s infrastructure for them; or Chinese companies – motivated by profit, expansion and cultivating resources the African population can’t cultivate on their own – perform this task.

 
White people built the bridge. It was destroyed and Africans couldn’t rebuilt it. A white guy from the USA rebuilt it. #WakandaIsntReal

Sadly the best aviators and airplanes aren’t built in Wakanda either:

Deaths on commercial aircraft worldwide rose 15 percent last year while the overall accident rate involving Western-built jets fell to an all-time low.

Those figures were released Wednesday by the International Air Transport Association, a trade group for the world’s airlines.

The group said 786 people died in 23 separate accidents last year, up from 685 deaths in 18 fatal crashes in 2009. The figures include all kinds of jets and turboprops operated on commercial flights but don’t include private or military aircraft.

There were no fatalities involving U.S. airlines last year. The most recent fatal accident involving a U.S. airline was the February 2009 crash of a Continental Connection flight near Buffalo, N.Y., in which 50 people died.

Accident rates were lowest in the former Soviet republics and North America, followed by North Asia and Europe. Rates were higher than the world average in the Asia-Pacific region, Middle East-North Africa and Latin America-Caribbean.

The highest rate was in Africa. IATA said African airlines accounted for 2 percent of worldwide passenger traffic but 23 percent of serious accidents.

Regrettably, Wakanda (or for that any of Africa, save white South Africa) can be seen illuminated from the vantage of space. Consult these NASA images available at (http://geology.com/articles/satellite-photo-earth-at-night.shtml).

While the United States and all of Europe, with parts of Russia, Asia, Australia, and South America, can be seen to have beings of intelligence capable of producing electricity, the heart of Africa is dark from space.

Why isn’t Wakanda illuminated?

Probably because, like it’s protector the Black Panther, the nation is a figment of Marvel writer’s imaginations. Yes, the leader of Wakanda is named the Black Panther, and in the comics he routinely battles members of the KKK, radical white Afrikaners, and other assorted white supremacists and international enemies attempting to steal Wakanda’s technological secrets.

In the early 1990s, popular movie franchises like Superman (four movies starring Christopher Reeve) had already been made; two Tim Burton Batman films (starting Michael Keaton); and three hilariously bad Marvel films (1989’s Punisher starring Dolph Lundgren, 1990’s Captain America, and a Fantastic Four movie that never saw a theater or VHS release); not to mention a live-action Dick Tracy, The Shadow, and The Phantom films – all staring white guys – were on the verge of being released.

Wesley Snipes, who would portray the Black vampire Blade in three films, wanted to bring Wakanda and its protector, The Black Panther, to life. He told the St. Petersburg Times in 2010:

Snipes said in August 1993, “We have a wide-open field for comic book characters on the big screen and we’ve yet to have a major black comic book hero on the screen. Especially the Black Panther, which is such a rich, interesting life. It’s a dream come true to originate something that nobody’s ever seen before.”

As of yet, tales of Wakandian lore have yet to reach the cinema, but such an event can only be around the corner. Marvel is trying to option all of their major or minor heroes into films – to generate more and more revenue – and the tales of the Black Panther fighting for the honor of the technological advanced citizens of Wakanda will make a great addition to the stories of Iron Man, Thor, Spider-Man, and Captain America.

Even though Stephen Hawking can’t find a black Einstein in Africa, Marvel Comics can help draw up some historically inaccurate self-esteem for the few black readers of comics by creating Wakanda.

Posted by Stuff Black People Don’t Like

“Royalty is in our DNA” — The Black Hype for ‘Black Panther’ Represents how Blacks Privately View Themselves: As Kings and Queens

The Ron Clark Academy in Atlanta, a 96% black middle school, is a goofy private school spending nearly two times per pupil as other schools in the state of Georgia.

It’s also the home of the latest viral video for the upcoming Black Panther film (one inspiring black people to take the #BlackPantherChallenge and pay for young blacks to see the oozing with black supremacism movie), where the black students learned they’d be going to it for free. [WATCH: Atlanta school surprises students with ‘Black Panther’ movie tickets in viral video, AJC, 2-2-18]:


“Black Panther” is one of the most anticipated films of the year, and one school just surprised all of its students with tickets

If you ever wanted to get a glimpse of how black people privately view themselves, it’s magnified ludicrously in Black Panther.

Ron Clark Academy, a middle school located in southeast Atlanta, recently posted a video of its students dancing and chanting after learning they were headed to the theaters to see the action flick, out Feb. 16. 

The school, which has 120 scholars, uploaded the clip on its Facebook page Friday with the caption, “that moment when the whole school finds out they’re going to see Marvel’s new movie, Black Panther!”

The nearly one-minute-long post quickly went viral, garnering more than 600,000 views and nearly 27,000 shares within just three hours. 

Not only will the kids gather to watch the motion picture, they will also have a day of cultural classes, featuring lessons on African art, dance, music, math, science, history and spirituality.

“The beauty of African traditions are woven into a sci-fi film with tremendous opportunities to have discussions about cultural and identity,” Susan Barnes, the art teacher at the school, told the Atlanta Journal-Constitution. “Furthermore, to see a black male lead as a superhero is very powerful for our students because traditionally superheroes have been white.”

Starring Chadwick Boseman, Michael B. Jordan, Lupita N’yongo and a host of others, the Ryan Coogler-directed movie follows Black Panther, or T’Challa, as he returns home to his African nation of Wakanda to reclaim his throne.

The entire staff, which is a diverse bunch from different backgrounds, is excited about the event, and they said they’re enthusiastic to “provide an opportunity for discussion and reflection that will be powerful!”

Wakanda isn’t real, but the fictional African nation represents the exact type of world Africans in America believe they’d create if it weren’t for the pernicious influence of systemic racism, implicit bias and white privilege. Black Panther is a movie playing upon blacks embarrassingly unjustified high self-esteem (“royalty is in our DNA,” and “create vivid images of black excellent”).

Watch this video of blacks celebrating the free ticket to see the movie (and how the fictional movie will be incorporated in their history and math curriculum) and notice if you can find an image of one of the lone white students at the black empowerment middle school…

Marvel’s “Thor” Was Based on Nordic Mythology, but included Africans as White Gods; “Black Panther” Created by Two Jewish Guys in 1960s, is Ultimate Black Power Myth Now

PK NOTE: For the record, the Nordic myths behind the Marvel character Thor bound a people together and formed the basis of a civilization via religion; two Jewish guys invented Wakanda in the 1960s, a black power fantasy depicting an African nation untouched by white hands that present-day black people now worship as manifestation of Afrofuturism and solving Hollywood’s “Africa Problem” 

Shot. [Idris Elba defends Thor film role: Race debate stirs after London-born star of The Wire wins role as Norse deity Heimdall in Kenneth Branagh’s new film Thor, The Guardian, 4-27-10]:

Even for an actor who has played a vampire-hunter with a guilty conscience, a Baltimore crime lord with a taste for Adam Smith, and an asset manager with a stalker, the role of the Norse deity Heimdall – guardian of the burning rainbow bridge between the world of men and the world of gods – was always going to be a bit of a challenge.

Marvel’s Thor: A mockery of European traditions, myths, and religion

But playing a god in Kenneth Branagh’s forthcoming film Thor has turned out to be the least of Idris Elba’s worries, after fans of the comic books turned on the star of The Wire for reasons that have nothing to do with his acting ability and everything to do with the colour of his skin.

When news emerged late last year that the 37-year-old black Londoner had been chosen to play Heimdall, “the whitest of the gods”, a being who can hear the sap flowing in trees and look across time and space, many devotees of the Marvel comics on which the film is based flocked to online forums to weep, gnash their teeth and unleash a tide of indignation.

A fortnight ago, the actor told Jonathan Ross that his take on Heimdall was “Norse by way of Hackney, Canning Town”. And at the beginning of the month, he told a press conference that he saw his casting as an encouraging step.

His view was not shared among the more vehement of the comic books’ fans. “This PC crap has gone too far!” wailed one. “Norse deities are not of an African ethnicity! … It’s the principle of the matter. It’s about respecting the integrity of the source material, both comics and Norse mythologies.”

Fellow fans were quick to nod their horn-helmeted heads.

“At the risk of sounding like a bigot, I think this is nuts!” said another. “Asgard is home to the Norse Gods!!! Not too many un-fair complexion types roaming the frigid waste lands up there. I wouldn’t expect to see many Brad Pitt types walking around in the [first mainstream black superhero] Black Panther’s Wakanda Palace!”

Elba, who was born in Hackney, north-east London, to a Ghanaian mother and Sierra Leonean father, has addressed such concerns in a string of recent interviews.“There has been a big debate about it: can a black man play a Nordic character?” he told TV Times. “Hang about, Thor’s mythical, right? Thor has a hammer that flies to him when he clicks his fingers. That’s OK, but the colour of my skin is wrong?

“I was cast in Thor and I’m cast as a Nordic god,” he said. “If you know anything about the Nords, they don’t look like me but there you go. I think that’s a sign of the times for the future. I think we will see multi-level casting. I think we will see that, and I think that’s good.”

Chaser. [Who’s Allowed to Wear a Black Panther Mask?, Kwame Opam, 2-13-18]:

In an interview with BuzzFeed News in the fall, Sterling K. Brown, a star of “Black Panther,” thrilled at the prospect of children, black and white, dressing up as the title character. “This Halloween, the first time I see a little kid, a white kid, dressed up as Black Panther, I’m taking a picture,” he said. “You better believe I’m taking a picture, because that’s the crossover.”

Chadwick Boseman, who plays Black Panther in the film, had already witnessed said crossover, he said in the same interview: “I’ve seen little white kids dressed up as T’Challa. I’ve seen pictures, and I’ve seen it in person.”

Wakanda: a veritable social construct, devised by two Jewish comic writers, playing upon toxic levels of black self-esteem/vanity and mentally debilitating white guilt

Black Panther costumes — whether the character’s full raiment or just his claws and mask — are on toy store shelves (and, of course, on Amazon) in anticipation of the film’s Feb. 16 release. At best, the character get-ups speak to the enthusiastic embrace of a black superhero. At worst, they could be perceived as an unwitting form of cultural appropriation, which has in recent years become a subject of freighted discourse.

What does that dual significance mean for children? And, perhaps more urgently, what does it mean for the parents who will buy the costumes for them?

“As parents, or even as the people creating costumes, we need to be very aware of what that says,” said Brigitte Vittrup, an associate professor of early childhood development and education at Texas Woman’s University. “There’s not a whole lot of black superheroes, so this is a really important thing, especially for black kids growing up.”

Many parents are split on how Black Panther’s blackness should figure into their children’s relationship to the character. Some argue that placing racial boundaries around expressions of fandom is unnecessary.

“I’m actually wondering now what it might be like for that parent who’s not of color if his kid comes home and says, ‘I want to dress up like Black Panther,’” said Katrina Jones, 39, the director of human resources at Vimeo. “When I look at it, I see no reason why a kid who’s not black can’t dress like Black Panther. Just like our kid who’s not white dresses up like Captain America. I think the beautiful thing about comics is they do transcend race in a lot of ways.”

Mary Dimacali, 29, a social media and marketing manager in Rockland County, New York, echoed that idea. She does not believe that her fiancé’s 7-year-old son, Sawyer, who is white, sees the film or its characters through the lens of race. Sawyer himself, during the interview with Ms. Dimacali, said, “sure,” when she asked if he’d like to dress up as Black Panther.

“For a white kid to be so open and judge based on the character’s story and the personality and history, I think that’s what’s important,” she said. “But on the flip side, I think it’s also great to have a black superhero you can identify and connect to.”

The character’s history is unique. Created by ((((((Stan Lee)))))) and ((((((Jack Kirby)))))) in 1966, Black Panther rules as the king of an African technological utopia known as Wakanda. Untouched by European invaders, Wakanda exists apart from the legacies of colonization and racism. Black history and black fantasy are central to the character, and the series has brought on prominent black writers including Ta-Nehisi Coates to deepen its significance over the last 50 years.

Consequently, some parents have felt pressure to hammer home Black Panther’s heroism through the lens of race.

“I’m conflicted,” said Evan Narcisse, a senior writer for the website io9. He is completing “Rise of the Black Panther,” a six-part comic series for Marvel that traces the character’s early history. He has tried to explain some of that history to his 7-year-old daughter, but without delving too deeply into complex concepts like Western imperialism, which she may struggle to grasp.

“You want that white kid to be able to think that he can dress up in a Black Panther costume, because, to that kid, there’s no difference between Captain America and Black Panther,” Mr. Narcisse, 45, said. But, he added, it also involves “trying to explain what is special about T’Challa and Wakanda without racism. And it’s like, ‘Can’t do it.’ I couldn’t do it.”

According to the ticketing site Fandango, “Black Panther” set a record among Marvel films for the most advance tickets sold in a 24-hour period. It’s projected to make a record-breaking $165 million over Presidents’ Day weekend and comparisons to last year’s “Wonder Woman” bode well for its reception and impact, particularly for black people.

I’ve been to Wakanda, and I may never recover. I am so grateful that our young people will see this film and their minds will be transformed. Congratulations #RyanCoogler —you did that! #blackpantherpremiere #blackpanther — Vanessa K. De Luca (@Vanessa_KDeLuca) Jan. 30, 2018

“White people have the privilege of not constantly being reminded of their race in the United States, where white is the majority, whereas as a black person you don’t,” Ms. Vittrup said.

She believes that parents in general, and white parents in particular, are reluctant to talk about race with young children.

When they do, they often miss the chance to talk about inequality, even though research supports the idea that children develop an awareness of race and difference at a very young age.

Ms. Vittrup was careful to add that dressing as Black Panther isn’t inherently appropriative or offensive. The character comes from an invented African country, and to wear his mask isn’t quite the same as wearing blackface. However, in a moment where even more black heroes, like Luke Cage and Black Lightning, are finding their way into the limelight, Black Panther’s relationship with the black community and its history creates an opportunity to teach nonblack children about the black experience.

“Kids are not colorblind,” she said. “There’s a lot of structural inequality in our society, and kids are noticing that. By not mentioning it, by not talking about it, we’re essentially preserving the status quo.”Continue reading the main storyAdvertisementContinue reading the main story“I’m actually wondering now what it might be like for that parent who’s not of color if his kid comes home and says, ‘I want to dress up like Black Panther,’” said Katrina Jones, 39, the director of human resources at Vimeo. “When I look at it, I see no reason why a kid who’s not black can’t dress like Black Panther. Just like our kid who’s not white dresses up like Captain America. I think the beautiful thing about comics is they do transcend race in a lot of ways.”

Norse mythology is a real, highly verifiable component of European culture and identity, spanning centuries and connecting a unique racial group to their ancestors; Wakanda is a social construct, the wish fulfillment of Africans for a superior black power civilization – in the face of overwhelming empirical evidence of black dysfunction/failure when compared to European ingenuity –  only possible on film because of technology invented by white people (visual special effects), and a mythology created by two Jewish guys in the 1960s.

Hollywood must promote black self-esteem at all cost, while doing everything possible to bury any sense of pride white people might procure from seeing their past, history, and religion proudly displayed on film.

#WakandaIsntReal

BLACK PANTHER Will Be A Hit–But Will Blacks Side With The “Villain,” Killmonger?

[See Also by Paul Kersey: Thing Is, We’re Supposed To BELIEVE This BLACK PANTHER Black Power Fantasy]

Black Panther will be a monster hit at the box office in its opening weekend [‘Black Panther’ Heading Toward Massive $170 Million-Plus Opening, by Dave McNary, Variety, February 12, 2018]. My guess is it will surpass $200 million, as black identity and Main Stream Media cheerleading are creating a formidable marketing combination [Black Panther: does the Marvel epic solve Hollywood’s Africa problem? By Steve Rose, Guardian, February 3, 2018]. But while the top-down driven marketing campaign will almost certainly make the film a financial success, many blacks may take away the wrong message. After all, the real Afrocentric hero is “villain” Erik Killmonger–not Wakandan prince  Black Panther.

You’ll Never Use Amazon Again After Seeing This Shopping Site
Tophatter

And which message people take away from this film is a desperately important question. After all, the MSM desperately wants this film to be a commercial success and is promoting it as a political milestone. The film already has a 98% fresh rating on Rotten Tomatoes–not surprising considering the website seems to be blocking anyone with a negative review, calling it “hate speech” [Rotten Tomatoes Will Block Anyone Who Tries to Sabotage ‘Black Panther’ Fan Score: ‘We Do Not Condone Hate Speech’, by Zack Sharf, Indiewire.com, February 2, 2018].

Despite the Black Panther character being created by two Jewish guys in the 1960s, the film is pure racial triumphalism [‘Young black people can be heroes too’: the campaign to send kids to see Black Panther, by Precious Mayowa Agbabiaka, Guardian, February 9, 2018]. it is being portrayed as a representation of what Africa would be were it not for European colonization [Black Panther is for film what Barack Obama was for the presidency, by Issac Bailey, CNN, February 9, 2018]. And it will have real world consequences:

South African actor John Kani, who plays King T’Chaka, told NBC News that this movie has a deeper meaning for non-Americans and people living in Africa.

“This movie will prove to the colonialists that if they had not interfered with Africa, we’d be so far advanced, may make them believe we built those pyramids in Egypt. No alien did them,” Kani said. “The metaphor is, Africa has great potential. Africa no longer relates to the world with a bag and bone. We’re looking for interaction and trade, not aid.”…

The idea of Wakanda and the Wakandan people serve as pure inspiration. Wakanda, as a model of the growth of the natural brilliance of an African nation that was never interfered with by the outside world coming in to colonize, to strip of its resources, to change their way of life – is an African utopia.

[‘Black Panther’s’ Wakanda sheds light on black excellence, by Jarrett Hill, NBC, February 9, 2018]

The fact this fantasy is seen as “proof” is disturbing. The film is telling blacks that the problems of Africans in the West and in Africa is simply the fault of white people. And this leads us to the film’s villain, Erik Killmonger.

Killmonger (whose character is a black American Spec-Ops soldier, something rare in real life) wants to utilize the military technology of the advanced African nation to enable black revolutionaries worldwide to wage war on white supremacy. The black experience in America is presented as justification for this mission of racial vengeance:

Michael B. Jordan adds fire as Killmonger, the radical who wants to pull Wakanda out of its comfort zone and into an armed struggle. That’s a storyline Coogler underlines by setting an early scene in Oakland, Calif., birthplace of the real-life black-power group.

[‘Black Panther’ review: A new icon and pure comic-book action, By Stephen Whitty, New York Daily News, February 7, 2018]

Of course, though it is not explained in the film, the broader mythos of the comics has to explain why Wakanda not only survived European colonization but did nothing to stop it elsewhere in Africa. And there is an answer.

[T]he Wakandans made a pact with the white European colonial powers: if you don’t make war on Wakanda, Wakandans will turn a blind eye to the Trans-Atlantic slave trade and European colonialism of the rest of Africa.

[Marvel Made a Black Panther Movie Partly Because Reginald Hudlin Put the ‘Black’ in Panther, by Todd Burroughs, The Root, February 7, 2018]

Talk about a bunch of Uncle Toms.

There’s a similar conflict in the film. The main dispute between Black Panther and Killmonger is over what Wakanda owes the larger black world. After all, if every problem blacks face is because of white racism, why shouldn’t Wakanda take action to stop it, given that it is vastly more powerful and advanced than the evil racist West?

It also doesn’t shy away from the fraught question being posed about what responsibility Wakanda has to the broader—white, colonial—world. Killmonger would say that what’s owed is a reckoning, a violent and necessary reshifting of power. T’Challa instead warily sees the potential benefit of peaceful outreach, of sharing ideas to heal past and current wounds. It’s complicated stuff, and not anything that Coogler offers an easy answer for. Watching these issues mulled over in a big superhero spectacular is quite something—it elevates the level of Marvel’s political discourse considerably.

[Black Panther Review: The Marvel Universe Finally Shows Us Something New, by Richard Lawson, Vanity Fair, February 6, 2018]

Indeed, as Variety notes, Killmonger is in many ways the most compelling character:

Killmonger has more than just wreaking chaos in mind. He’s motivated by a feeling of deep political injustice, plus a “This time it’s personal” sense of vengeance, and he’s convinced that raiding the Wakanda’s stockpile of Vibranium could put genuine firepower in a worldwide black uprising.

It’s a compelling idea (enough to sway a key ally played by Daniel Kaluuya), and a reminder that throughout the African diaspora, the black-white power balance remains as it is courtesy of Jim Crow practices designed to keep minorities in check: persistent segregation, broken drug laws, racially targeted policing, disproportionately high incarceration rates — all of which are identified and indicted by Coogler’s truth-to-power script. Arm the oppressed, Killmonger passionately argues, and it won’t take a century for the system that produced “The Birth of a Nation” to grant a black artist the right to tell this kind of story — not that Coogler endorses the character’s lunatic ideas.

[Film Review: ‘Black Panther,’ by Peter Debruge, February 6, 2018]

National Review, in a rather embarrassing attempt to get on board with the rest of the media, framed the film as a debate between Malcolm X (Killmonger) and the fake Martin Luther King Jr.  Beltway Right caricature:

Like many a great movie villain, Killmonger is seductive but wrong, and he stands for ideas that have considerable resonance in the real world. He channels the sense, memorably popularized by Malcolm, that the natural state of black people is to be kings. Black ghettoization was purposely engineered by duplicitous white people, who at first used enslavement but later turned to subtler methods of oppression…

Killmonger, then, wants the kind of race war Charles Manson dubbed helter skelter. That a large majority of the world’s most successful black people are American rather than African escapes the notice of such African-American radicals, who dismiss America’s opportunities for blacks and instead sentimentalize Africa in the same way Killmonger does.

[Black Panther Delivers, by Kyle Smith, February 14, 2018]

Yet most blacks in America really do believe they are helpless victims and identify as black rather than American. This is why efforts by Conservatism Inc. to win even a minuscule share of the black vote has been such an embarrassing failure. Indeed, the hunger by blacks to be portrayed as “kings” who can defeat the hated whites is driving much of the appeal of this film.

A people who believe they are oppressed from cradle-to-grave will now have a movie where the villain advocates utilizing advanced technology to arm black revolutionaries to wage a war on white people worldwide. As Black Panther is a bit of an Uncle Tom, hanging out with the mostly white Avengers, Killmonger  could well end up being the true hero of the film to black audiences. After all, if the only reason blacks are held down is because of “white racism,” Killmonger is right.

Of course, we could say there are other reasons why blacks have problems. But if we say that, well, that would be racist.

On His Netflix Comedy Special, Chris Rock Calls for the Shooting of White Children (So White Mothers Will Cry)

 Previously on SBPDL: The Mask is Slipping: Michael Eric Dyson Calls for the Killing of White Children

There’s not much else to say, except to rehash a harsh reality touched on a few years ago: The mask is slipping faster and faster. .

Every moment that passes, each second that ticks off of the clock, the mask gives way to an ugly truth most people never want to confront. 

Like Dorian Gray’s hidden portrait, this mask has repressed a truth so vile, so macabre, few people will be able to stomach it when they see it. 

It will knock them over. 

Many will turn their head at the horror; but like a gruesome car crash, it’s only natural – instinctive – to want to take a look. 

It’s Chris Rock’s turn to show us this image. [Everyone Will Be Talking About Chris Rock’s New Netflix Special, Esquire, 2-14-18]:

It’s been a shitty few years for America, years when Chris Rock’s hilarious outrage was not only needed, but necessary. While we haven’t seen much of him—he’s been dealing with a messy divorce recently—he has been around in subtle ways. He appeared in an essential post-election SNL sketch detailing that infamous November night in 2016. He helped Aziz Ansari craft a powerful SNL monologue, and he made a few late-night appearances softening our Trumpian reality.
But Tamborine, his surprise new Netflix special, gets everything out that’s happened to Rock and the country recently. It’s more of a therapeutic release than anything else, and if you’re in the mood to just release it all with a grin, then Tamborine is crucial.
After a fitting and brief opening to Thundercat’s “Them Changes”—”Nobody move, there’s blood on the floor”—Rock makes his statement immediately. Here’s his opening joke:

You would think cops would occasionally shoot a white kid just to make it look good. You would think that every couple of months they’d look at their dead nigga calendar and go, “Oh my god, the 16th—we gotta shoot a white kid quick.” “Which one?” “The first one you see singing Cardi B.”

Then he continues: “I want to live in a world with real equality. I want to live in a world where an equal amount of white kids are shot every month. I want to see white mothers on TV crying.”

Ladies and gentlemen, the mask is slipping. Chris Rock has his knives sharpened. He has just – on Netflix – called for the killing of white kids.

A lot of white people have tried to make this experiment work; but when looking at the picture of race relations in America, a disturbing hidden pictures emerges. Rock just showed it to us.

 Blacks have NO place in White nations, they must leave, all of them, and return to Africa.

Jerusalem Times Reports on Nikolas Cruz’ “Anti-Semitism,” Brushes Over Fact He’s a Jew

Andrew Anglin

Daily Stormer
February 18, 2018

The Jerusalem Post has a piece up about the supposed racist anti-Semitism of Florida school shooter Nikolas Cruz.

I was shocked to see that they do in fact admit that he was biologically Jewish – but of course, it is something that they just completely brush over.

Jerusalem Post:

The confessed killer in a deadly Florida school shooting last week that left 17 dead, regularly espoused antisemitic, racist and homophobic views via a private Instagram group chat, CNN reported on Saturday.

Nikolas Cruz, 19, who stormed Marjory Stoneman Douglas High School in Parkland, Florida, with a semiautomatic rifle on Wednesday, would frequently state that he hated “Jews, n*****s, immigrants,” and believed that Jews wanted to destroy the world.

In one tirade against his biological mother, Cruz said: “My real mom was a Jew. I am glad I never met her,” according to CNN.

He also expressed a desire to kill Blacks and Hispanics, and said that members of the gay community should be shot “in the back of the head.”

Those sentiments are often shared by Israeli Jews, who generally hate both blacks and homosexuals.

So it is not especially strange that a Jew would feel this way.

Although I will give it to the Jews that it is strange that he killed other Jews.

But it isn’t really that strange. This was a weird, disenfranchised Jew.

Cruz confessed to the massacre on Thursday, after he was brought before a judge via video conference at the Broward County court, according to The Washington Post.

Among the dead in Parkland were five Jews – four students and a teacher.

According to informal reports from family members, the media and social media, the following victims were identified as Jewish: students Jaime Guttenberg, 14, Alyssa Alhadeff, 14, Meadow Pollack, 18, and Alex Schachter, 19, as well as Scott Beigel, 35, a geography teacher who saved students’ lives by closing a classroom door as he was shot.

Guttenberg’s brother, Jesse, managed to escape. Their father, Fred, wrote on Facebook: “My heart is broken… I am broken as I write this trying to figure out how my family gets through this…. Hugs to all and hold your children tight.”

Diaspora Affairs Minister ((((((Naftali Bennett)))))) sent a condolence letter to the Jewish community in Parkland on Friday.

All in all, though we are going to see articles like this in the Israeli media, the mainstream media is going to back off of the “Nazi” angle because they know that we are just going to keep pointing out that Cruz is a Jew, and that makes their whole narrative seem weird and dishonest to any normal person looking at it.

Certainly, the weirdest fact is that Cruz killed other Jews, but again, that isn’t really that weird. Being adopted, he was alienated from the larger Jew community, and it is not hard to see why he would have resented them because of this. The fact that he said he was happy he never knew his Jew mother shows a type of anger toward his biological parents, and that anger was no doubt projected onto his entire tribe.

But the fact remains that it is the biology of the Jew that led him to perform this act. That and, I would assume, SSRI medications.

The bottom line from a White Nationalist perspective is that if we had deported all Jews, this shooting never would have happened.

THE RACIAL WAR OF BLACK AGAINST WHITE

By Paul Sheehan

The longest war America has ever fought is the Dirty War, and it is not over. It has lasted 30 years so far and claimed more than 25 million victims. It has cost almost as many lives as the Vietnam War. It determined the result of last year’s congressional election.

Yet the American news media do not want to talk about the Dirty War, which remains between the lines and unreported. In fact, to even suggest that the war exists is to be discredited. So let’s start suggesting, immediately.

No matter how crime figures are massaged by those who want to acknowledge or dispute the existence of a Dirty War, there is nothing ambiguous about what the official statistics portray: for the past 30 years a large segment of black America has waged a war of violent retribution against white America.

And the problem is getting worse, not better. In the past 20 years, violent crime has increased more than four times faster than the population. Young blacks (under 18) are more violent than previous generations and are 12 times more likely to be arrested for murder than young whites.

Nearly all the following figures, which speak for themselves, have not been reported in America:

According to the latest US Department of Justice survey of crime victims, more than 6.6 million violent crimes (murder, rape, assault and robbery) are committed in the US each year, of which about 20 per cent, or 1.3 million, are inter-racial crimes.

Most victims of race crime — about 90 per cent — are white, according to the survey “Highlights From 20 Years of Surveying Crime Victims,” published in 1993.

Almost 1 million white Americans were murdered, robbed, assaulted or raped by black Americans in 1992, compared with about 132,000 blacks who were murdered, robbed, assaulted or raped by whites, according to the same survey.

Blacks thus committed 7.5 times more violent inter-racial crimes than whites even though the black population is only one-seventh the size of the white population. When these figures are adjusted on a per capita basis, they reveal an extraordinary disparity: blacks are committing more than 50 times the violent racial crimes of whites.

According to the latest annual report on murder by the Federal Bureau of Investigation, most inter-racial murders involve black assailants and white victims, with blacks murdering whites at 18 times the rate that whites murder blacks.

These breathtaking disparities began to emerge in the mid-1960s, when there was a sharp increase in black crime against whites, an upsurge which, not co- incidentally, corresponds exactly with the beginning of the modern civil rights movement.

Over time, the cumulative effect has been staggering. Justice Department and FBI statistics indicate that between 1964 and 1994 more than 25 million violent inter-racial crimes were committed, overwhelmingly involving black offenders and white victims, and more than 45,000 people were killed in inter- racial murders. By comparisons 58,000 Americans died in Vietnam, and 34,000 were killed in the Korean War.

When non-violent crimes (burglary, larceny, car theft and personal theft) are included, the cumulative totals become prodigious. The Bureau of Justice Statistics says 27 million non-violent crimes were committed in the US in 1992, and the survey found that 31 per cent of the robberies involved black offenders and white victims (while only 2 per cent in the reverse).

When all the crime figures are calculated, it appears that black Americans have committed at least 170 million crimes against white Americans in the past 30 years. It is the great defining disaster of American life and American ideals since World War II.

All these are facts, yet by simply writing this story, by assembling the facts in this way, I would be deemed a racist by the American news media. It prefers to maintain a paternalistic double standard in its coverage of black America, a lower standard.

[Source: Sydney Morning Herald, May 20, 1995]

Local law enforcement: No ties between militia and Florida high school shooter – Being a Member of a WN Group was a Troll

Local law enforcement sources have not found a connection between accused Parkland school shooter Nikolas Cruz and a Tallahassee-based paramilitary group.

Leon County law enforcement sources told the Tallahassee Democrat that they could not find information linking Cruz, 19, to the Republic of Florida Militia, as claimed by the group’s self-proclaimed leader Jordan Jereb.

His comments to the Anti-Defamation League and The Associated Press set off a media firestorm Thursday at about midday that Cruz was connected to the alt-right, white nationalist group.

Hours after news outlets around the nation reported Cruz’s alleged ties, Leon County Sheriff’s Office spokesman Lt. Grady Jordan told the Tallahassee Democrat investigative work did not yield any connections.

“We are still doing some work but we have no known ties between the ROF, Jordan Jereb or the Broward shooter,” Jordan said.

Jordan and other law enforcement sources declined to confirm whether they had spoken to Jereb, who is no stranger to Tallahassee law enforcement.

Cruz entered Marjory Stoneman Douglas High School Wednesday, investigators say, with an AR-15 and opened fire, killing 17 people and injuring 14. He faces 17 counts of premeditated murder.

Jereb said Cruz was a member of the group and had participated in paramilitary training drills in Tallahassee.

In a brief phone call with the Tallahassee Democrat, Jereb said there was “No way to put a good spin on all of this.”

“This is a negative situation,” he added before hanging up to speak with ABC News.

Jereb did not answer repeated phone calls following law enforcement officials saying they found little to lead them to believe Cruz was connected to the organization which has a scant following of around a dozen members.

In a profanity-laced post hours later on a social media site, an account bearing Jereb’s name said the whole thing was a “legit misunderstanding,” saying they have more than one member named Nikolas. He also said he not slept “for like 2 days.”

Jereb, a self-described “right-wing extremist nut,” faced charges in 2016 after threatening a high-ranking staff member of Gov. Rick Scott’s office.

Jereb is known to ride a bike through neighborhoods wearing paramilitary garb and stand at the side of the road with an ROF flag. He has filmed numerous run-ins with law enforcement in Tallahassee in which he consistently tells officers when he is stopped, “I’m a free man traveling the land.”

Contact Karl Etters at ketters@tallahassee.com or @KarlEtters on Twitter.

STATEMENT FROM THE SOUTHERN POVERTY LAW CENTER

“Jordan Jereb, the leader of the Republic of Florida Militia (ROF), a white nationalist hate group that we have been monitoring, earlier today claimed that Nikolas Cruz, the suspect in the massacre at Marjory Stoneman Douglas High School in Parkland, Florida, is a member of his group. Hours after claiming a connection to Cruz, Jereb said he had been misunderstood.

“On its website, the ROF describes itself as ‘a white civil rights organization fighting for white Identitarian politics, And the ultimate creation of a white ethnostate so we can be free from anti-white policies and have policies that reflect our values as white westerners. The ROF Militia is the armed forces of the Republic Of Florida.’

“Jereb initially claimed that Cruz was a member, that he had participated in one or more ROF training exercises in the Tallahassee area, and that he carpooled with other members from South Florida. Though the link was reported by several news organizations, the ((((((SPLC)))))) has not confirmed it.

“It may seem odd that Jereb would bring attention to his group by claiming a connection to Cruz, but Jereb has always been somewhat of a publicity seeker. In 2014, in fact, he wrote us to complain that we had not already listed ROF as a hate group. In April 2017, Michael Tubbs, the leader of the Florida chapter of the League of the South, a well-known hate group, wrote that Jereb ‘never misses a photo op’ and called him ‘a nut job who should be avoided.’”

Florida Being a Member of a WN Group was a Troll [MAX LEL]

Andrew Anglin
Daily Stormer
February 16, 2018

Okay so when the headlines came saying that Nikolas Cruz was a member of a READ SIEGE group in Florida called “Republic of Florida,” everyone was all blacky pilly.

I have recently been investigating the fed-posting Siege Cult, and have found that it is mostly just a satanic doomsday cult that is pretending to be political. So I was not at all shocked by the incident. I have expected and do still expect these SIEGE people to do mass casualty events.

But as it turns out, this Florida event was carried out neither by white nationalists or satanists. It was just what it looked like in the first place: some spic on SSRI drugs.

The claim that the spic was a member of a WN group was an elaborate (at least semi-elaborate – or perhaps “pseudo-elaborate”) troll performed by a Discord channel, who was doing it for teh lulz.

Basically, these guys got the idea to blame this group, and the guy who leads the group apparently went along with it. Jordan Jereb is his name. The series of events, as it appears, is this:

  • A Discord channel got the idea to blame ROF
  • They made a post on 4chan

  • The ADL called up Jereb and he said that Cruz was a member
  • The ADL told the media to do a massive media storm about these unsubstantiated claims, and as always, the media obeyed their masters
  • The feds started showing up at people’s houses
  • Jereb mad a post on Gab saying he was confused and said the wrong thing when the ADL called him up
  • The media was like “oh… well… maybe I guess we could have misspoken… perhaps…”

Here are all the screenshots of the discussion of the event. It goes without saying that I did not take these screenshots or upload them, and am in fact against whoever did, because this could have kept going for another day if someone wouldn’t have squealed. Or maybe not. The feds were showing up at people’s houses, so obviously at that point the jig is up.

No one should ever talk to the feds at all, let alone lie to them to support a troll.

Reasons This is Good

I have actually seen people saying this is not good. And I’m just like. lolwut.

Of course it is good. Humiliating the media is always good, and doing that while totally blowing the credibility of the ADL as a reliable source for information is quadruple good.

Basically, there was a 6 hour news barrage across the entire planet based on a 4chan post because the ADL will just believe any internet rumor they hear and order the media to spam it.

This demonstrates, fully, that Jewish ethnic activist groups such as the media and the ADL are so obsessed with blaming white identity movements for violence that they will act recklessly and in a totally deranged fashion.

This makes the whole idea of constantly blaming white people for everything look retarded, and it will lead to any future event where they try to do this being questioned. Because before this, they were able to get away with like, “oh this one thing he posted on Facebook – he’s a Nazi” – that shit isn’t going to fly anymore.

Beyond all of that: this shit is just fucking hilarious. This is your mainstream media, which claims that it is above reproach, not even attempting to confirm a story before they spam the entire planet with it. This was like a Sam Hyde shooter meme times six million.

Look at this shit.

Absolutely beautiful.

And just to be clear: there is nothing illegal about this. You are 100% allowed to post fake shit on 4chan, you are allowed to lie to the ADL, you are allowed to lie to the media. And that is the only reason you should ever talk to these people anyway. If you’re not playing them, they’re playing you. Remember that.

This Jereb Guy

Jordan Jereb is getting a lot of shit in the tubes over this. I read his Gab and he is definitely a standard fed-posting Siegefaggot (unless that is a troll), which is something I am totally opposed to (we need to talk about that further – soon). But in this situation, if all he did was lie to the ADL to create this massive media debacle, then what exactly are people giving him shit about?

I’m not defending the guy, I’m just defending the troll. But it may well be that people just didn’t know who he was (I didn’t) and they’re looking at his shit and being like “wow bro fed-post much?”

And that’s fine.

I’m fed up with fed-posting myself. It has really gotten way the fuck out of control since Charlottesville when we’ve been flooded with feds who are making shit-tier autists think they’re allowed to like, plan terrorist attacks on Discord.

Again.

Separate issue.

You are allowed to plan media hoaxes on Discord.

Jebeb is an asshole, for sure. But the troll itself. It were glorious.

Seriously though, stay away from this guy. Master troll or not, his entire Gab timeline is spammed with fed shit. Stay away from that shit if you don’t want to end up in prison for decades.

Murdered Italian Girl May Have Been Victim of Cannibalism – Defendant’s Lawyer Suggests Ritual Killing

Diversity Macht Frei

February 14, 2018

I wrote before about suggestions that Pamela Mastropietro, the 18-year-old Italian girl murdered and dismembered by Nigerian immigrants, may have been killed as part of some “voodoo” ritual. I noticed some people mocking this idea as fantastical. But the lawyer acting for one of the defendants is now suggesting this too.

“There’s something not right in this incident”. Gianfranco Borgani, defence lawyer for  Desmond Lucky, is convinced of it: “The dissection was done by an expert, the cleaning of the house and body were very precise, so why leave the trolley suitcases in view?” Perhaps because someone was going to take them and carry them away? He suspects so: “It could be that we are dealing with a kind of ritual here, and that behind it lies someone whose name has not come out yet, a person who is dangerous for the suspects, they may have fear of reprisals against their families in Nigeria and are not speaking for that reason.”

In Nigeria, in fact, the crimes of dismembering and selling body parts or organs are recorded and reported in essays and journalistic investigations. Barbaric acts that involve “children, disabled people, women” based on the conviction that these atrocities will increase “force” or “power”. The remains of the bodies are also used for the preparation of “Get-Rich-Quick potions” and are sold to customers and “witches”.

Source

Worse, it has been suggested that parts of the girl’s body may have been eaten. This is the kind of barbarity that a deranged immigration policy has brought to Europe.

But there is more, a disturbing hypothesis has been advanced by the surgeon, psychiatrist and criminologist Alessandro Meluzzi. As Professor Meluzzi explained to “Italia Oggi” [Italy Today] the murder of Pamela recalls “methods that the Nigerian mafia applies systematically in Nigeria and elsewhere”. In particular, Meluzzi underlines the fact that the heart and genital organs have not been found. And for the Nigerian mafia ritual cannibalism is a widespread practice, an “ancestral rite that goes back to ancient times”. Pamela, in addition to being killed and maltreated, may also have been the victim of cannibalism.

Source

Some other facts that have come to light in relation to this case:

The girl was definitely violently struck while she was still alive, ruling out the hypothesis that she died of a drug overdose and was dismembered afterwards.

One of the people Luca Traini randomly shot on his gun rampage was the room-mate (in a 4-star hotel paid for by the Italian taxpayer) of one of the suspects in the case.

The Desperate Measures To Enforce Belief In The Holocaust Are Escalating: Old Ladies Get Jail, Rapists Go Free

The Desperate Measures To Enforce Belief In The Holocaust Are Escalating: Old Ladies Get Jail, Rapists Go Free

Renegade Editor’s Note: How absurd that David Dees’ artwork (above) is not even accurate anymore, as the serial rapists are now allowed to roam free. Also, the title has been shortened for publication here. The original is: “The Desperate Measures To Enforce Belief In One & ONLY One Historical Event Are Escalating In Absurdity: Old Ladies Get Jail, Rapists Go Free

By John Wear

People can be found guilty of a crime even when no evidence is presented that they committed a crime.”

Censorship of Holocaust Revisionism

Initially relatively little was written about the alleged genocide of European Jewry. For example, three of the best known works on World War II history are Gen. Eisenhower’s 559-page Crusade in Europe, Winston Churchill’s six-volume The Second World War (4,448 pages total), and Gen. de Gaulle’s three-volume Mémoires de guerre (2,054 pages total). Published from 1948 to 1959, these books in 7,061 pages of writing make no mention of anything related to the Holocaust story.[1]

Most of what was written about the Holocaust story was primarily based on eyewitness testimony from Jewish survivors of the German camps. The historical blackout forces sought to intimidate German eyewitnesses from writing about their observations in the German concentration camps. When Thies Christophersen published The Auschwitz Lie in 1973, he was charged with “popular incitement,” “contempt against the state,” and defamation of the Jews. Christophersen spent a year in prison even though the charge of popular incitement was eventually dropped. All Christophersen had done was to write about his experiences while he was working in Auschwitz in 1944.[2]              

“Until 1989, it was forbidden in eastern Europe to dispute the official finding that four million were killed at Auschwitz. At the Auschwitz State Museum, staff members who expressed doubts about this figure were threatened with disciplinary measures. In 1989 Israeli Holocaust historian ((((((Yehuda Bauer)))))) said that it is time to finally acknowledge that the familiar four million figure is a deliberate myth.” Luckily, the application of “denial” or “revisionist” math by various Jewish historians did not result in prison time for them!

German Judge Wilhelm Stäglich later published an account of his Auschwitz observations in the October 1973 issue of the magazine Nation Europa. Stäglich’s public challenge to the official version of life at Auschwitz brought forth severe reprisals from the German government. Stäglich was induced to resign his job as a judge in Hamburg, his health having been affected by a harassment campaign against him. German authorities also attempted to deprive Stäglich of his pension, eventually settling on a 20% reduction in his pension over a five-year period. Finally, in a crowning absurdity, Stäglich was deprived of the doctoral degree he had earned at the University of Göttingen in 1951.[3]

Prematurely retired by force, Stäglich worked for several years on an extensive study of the evidence supposedly substantiating systematic murder by gassing at Auschwitz. The book resulting from his study, Der Auschwitz Mythos, disputes the various “proofs” offered for the Auschwitz myth and is a damning analysis of the postwar trials staged by the Allies. The publication of Der Auschwitz Mythos in West Germany in 1979 caused the defenders of the Holocaust story to censor Stäglich’s book. Nevertheless, all but seven of the 10,000 copies of the first edition of Der Auschwitz Mythos (pictured above with Ursula Haverbeck) had been sold by the time the book was ordered seized by the German government.[4]

Wilhelm Stäglich wrote in 1984 concerning the intellectual subservience and guilt inculcated in most Germans since the end of World War II:

…We Germans, in spite of the repeated assurances to the contrary of our puppet politicians, are politically and intellectually no longer a sovereign nation since our defeat in the Second World War. Our political subservience, which is apparent in the fact of the breaking up of the Reich and the incorporation of the individual pieces into the extant power blocks of the East and of the West, has had as its consequence a corresponding intellectual subservience. Escape from this intellectual subservience is prevented primarily by the guilt complex inculcated in most Germans through the “reeducation” instituted in 1945. This guilt complex is based primarily on the Holocaust Legend. Therefore for we Germans the struggle against what I have called the “Auschwitz Myth” is so frightfully important.[5]

Germany passed laws soon after the publication of Stäglich’s book making it a felony to dispute any aspect of the Holocaust story. Similar laws were eventually passed in the following countries: Austria, Belgium, Bosnia and Herzegovina, Czech Republic, France, Greece, Hungary, Israel, Liechtenstein, Luxembourg, the Netherlands, Poland, Portugal, Romania, Russia, Spain, Switzerland, and the European Union.[6] The obvious question is:

What kind of historical truth needs criminal sanctions to protect it? The Holocaust story would not need criminal sanctions to protect it if it was historically accurate.

Prior, during and post-WWII ethnic Europeans were being starved, tortured and slaughtered in the 10’s millions by a “government” they did not elect nor want. These crimes are largely ignored perhaps due largely to: The Jewish Role in the Bolshevik Revolution and Russia’s Early Soviet Regime. Further there was genuine terror in other nations that this blood-lust would continue invading their countries deeper into central and western Europe: “Winston Churchill, for one, warned in an article published in the February 8, 1920, issue of the London Illustrated Sunday Herald that Bolshevism is a “worldwide conspiracy for the overthrow of civilization and for the reconstitution of society on the basis of arrested development, of envious malevolence, and impossible equality.”

European scholars who have questioned the Holocaust story have suffered tremendous hardships. For example, French revisionist Dr. Robert Faurisson lost his professorship in 1991, has been viciously beaten by thugs who were never caught or prosecuted, and has been the defendant in numerous law suits. Faurisson believes that revisionist historians are up against a religion. Faurisson said:

The belief in the Holocaust is a religion. We have to fight against this religion, but I don’t know how to fight a religion. Revisionists can look at demographic figures, historical documents, forensic evidence, etc., but there is no example in history of reason destroying a religion.”[7]

Revisionists have also been persecuted in countries where questioning the Holocaust story is still legal. Canadian revisionist Ernst Zündel was tried in 1985 and 1988 in Toronto, Canada for the alleged crime of knowingly publishing false news. All Zündel had ever done was publicly dispute the Holocaust story. Even though Zündel won both cases on appeal, he continued to be attacked and persecuted in Canada. In 1995 his Toronto residence was the subject of an arson attack resulting in over $400,000 of damages. Zündel was also the recipient of a parcel bomb that was defused by the Toronto Police bomb squad.

Zündel later moved to rural Tennessee to live with his wife Ingrid Rimland. In February 2003 Zündel was arrested in Tennessee for alleged immigration violations and deported back to Canada. Zündel was forced to spend over two years in solitary confinement in a Toronto jail cell even though he was never charged with a crime. Zündel was deported to Germany in March 2005 where he was tried and convicted of inciting racial hatred and defaming the memory of the dead. Zündel spent five years in prison in Germany.

Ernst Zündel’s persecution illustrates the power of the historical blackout forces. Zündel wrote from his Toronto jail cell:

The media and educational system have dumbed the people down to a level hitherto unknown in the civilized world. They are modern-day zombie populations, led around by the nose—mentally so manipulated that they cannot think straight, much less act in their own self-interest, either as individuals or as societies and states. Both in spirit and in reality, they have become the tax-paying cash cows and playthings of an alien oligarchy.”[8]

Some people in the United States have been forced to abandon their revisionist work even though U.S. citizens enjoy the First Amendment right to free speech. For example, David Cole, whose parents are both Jewish, was very effective in the 1990s in promulgating revisionist viewpoints. He was so effective that the Jewish Defense League threatened him into recanting his views. In January 1998 Cole changed his name to David ((((((Stein)))))) to protect himself, and he became publicly known as a right-wing Hollywood Republican. In May 2013 David Cole was exposed by a former friend and is now using his original name again. Hopefully his right to free speech as an American, will be respected in the future.

Courtesy: Katana17

Traditional historians and academics are all forced to uphold the Holocaust story to keep their jobs. Most historians write as if all aspects of the Holocaust story are well-documented and irrefutable. For example, one historian who laments the outlawing of Holocaust revisionism states:

The Holocaust is an incontestable fact.”[9]

However, as outlined in Chapter Eight of Germany’s War, major aspects of the Holocaust story are easily contestable. It is a felony in many European countries to question the Holocaust story because major aspects of the Holocaust story are easy to disprove.

Defenders of the Holocaust story have also taken extreme measures to prosecute perpetrators of the alleged crimes. John Demjanjuk, for example, was found not guilty by the Israeli Supreme Court in 1993 of being Ivan the Terrible at Treblinka. Demjanjuk returned to his home in Cleveland, Ohio and looked forward to a peaceful retirement after spending years on death row in Israel. Unfortunately, in 2001 Demjanjuk was charged again on the grounds that he had instead allegedly been a guard named Ivan Demjanjuk at the Sobibór camp in Poland.

On May 11, 2009, Demjanjuk was deported from Cleveland to be tried in Germany. On May 12, 2011, Demjanjuk was convicted by a German criminal court as an accessory to the murder of 27,900 people at Sobibór and sentenced to five years in prison. No evidence was presented at Demjanjuk’s trial linking him to specific crimes. Instead, Demjanjuk was convicted under a new line of German legal thinking that a person who served at an alleged death camp can be charged as an accessory to murder because the camp’s sole function was to kill people. No proof of participation in a specific crime is required. Demjanjuk died in Germany before his appeal could be heard by a German Appellate Court.[10]

Oskar Groening, the ‘Book Keeper’ of Auschwitz at 96 years of age has been deemed fit to serve a prison sentence. Meanwhile young violent rapists who video themselves laughing while sexually torturing a 14 year old girl then dumping her naked outside in freezing weather, are freed for showing ‘remorse’?

This new line of German legal thinking is breathtaking in its unfairness. It incorrectly assumes that some German concentration camps were used for the sole purpose of exterminating people when, in fact, none of them were. Moreover, this proposed German law finds a person guilty merely for being at a certain camp. People can be found guilty of a crime even when no evidence is presented that they committed a crime. The ((((((Simon Wiesenthal)))))) Center has been looking to help prosecute and convict other elderly German guards under this line of German legal thinking.[11]

The Holocaust story is being used to increasingly restrict free speech. ((((((Moshe Kantor)))))), President of the European Jewish Congress, spoke at the International Holocaust Remembrance Day at the European Parliament ceremony in Brussels on January 27, 2014. ((((((Kantor)))))) rejected free speech arguments over what he called the worldwide spread of anti-Semitism.

Anti-Semitism is “not an opinion—it’s a crime,” he said.

((((((Kantor)))))) apparently wants to criminalize any speech, symbols, or gestures that Jews consider to be anti-Semitic.[12]

You can have your own opinions, You can’t have your own facts. We have facts….”

Even though those facts cannot be disputed in law courts by means of normal due process? Even though those “official” facts keep changing? Even though the facts came from the camps in Soviet occupied territories that were hidden for decades behind the iron curtain while they were running Gulag death camps? Even though ((((((Steven Spielberg))))))’s Horror Stories For The Family intentionally hides from worldview Jewish survivor testimony that contradicted these facts?

Is it any wonder that Canadian Monika Schaefer languishes in a German Gulag without being charged for having her own opinion despite ((((((Deborah Lipstadt))))))’s words?

Monika’s brother Alfred Schaefer appears on the Andrew Carrington Hitchcock Showweekly to provide updates on Monika’s continuing imprisonment and isolation from her family and any legal defense representation without being formally charged. (See the right side bar for the upcoming interview dates.)

Update: In response to the decision by Amazon to ban the book  The Six Million: Fact or Fiction? (7th edition)  worldwide from its platform, author Peter Winter has now released the very latest edition free to read on the internet. #ReleaseMonikaSchaefer.


Purchase Germany’s War

ENDNOTES

[1] Faurisson, Robert, “The Detail,” The Journal of Historical Review, Vol. 17, No. 2, March/April 1998, p. 19.

[2] Christophersen, Thies, “Reflections on Auschwitz and West German Justice,” The Journal of Historical Review, Vol. 6, No. 1, Spring 1985, p. 117.

[3] Stäglich, Wilhelm, Auschwitz: A Judge Looks at the Evidence, Institute for Historical Review, 1990, pp. vii-viii, 292.

[4] Ibid., p. viii.

[5] Stäglich, Wilhelm, “Der Auschwitz Mythos: A Book and its Fate in the German Federal Republic,” The Journal of Historical Review, Vol. 5, No. 1, Spring 1984, p. 65.

[6] Thorn, Victor, The Holocaust Hoax Exposed: Debunking the 20th Century’s Biggest Lie, Washington, D.C.: The Barnes Review, 2012, p. 2 of Foreword.

[7] Speech at the 1992 11th International Revisionist Conference in Irvine, CA, October 10-12. Quoted in Weintraub, Ben, The Holocaust Dogma of Judaism: Keystone of the New World Order, Robert L. Brock, Publisher, 1995, p. xiii.

[8] Zündel, Ernst, Setting the Record Straight: Letters from Cell #7, Pigeon Forge, TN: Soaring Eagles Gallery, 2004, pp. 80-81.

[9] Davies, Norman, No Simple Victory: World War II in Europe, 1939-1945, New York: Viking Penguin, 2006, p. 489.

[10] The Dallas Morning News, May 7, 2013, p. 9A.

[11] Ibid.

[12] The Dallas Morning News, Jan. 28, 2014, p. 2A.