Gun Control is Code for Population Control – What event would have to happen for the United States to have another Civil War or Revolution?

Joe Jones

Daily Stormer
February 19, 2018

If you disarm a population and only arm the agents of the state, you are only allowing the state to do whatever the hell they want without any fear of repercussions.

“Gun control” is just code for population control.

What event would have to happen for the United States to have another Civil War or Revolution?

Okay, it’s a pretty unlikely event, at least in the near future, but we can still have fun trying to come up with a sort-vaguely-plausible scenario.

To really get in the spirit of the question, let’s start with an all-too-possible trigger for a dystopian scenario:  the U.S. slides into another recession, but this time interest rates are already at rock bottom, so the Fed is helpless to prevent deflation.  Spiraling deflation turns the recession into a major depression that drags on for years, rapidly turning the U.S. into a second-rate power.

The level of hostility and ideological rhetoric gripping the country is deep and vicious.  Each party is convinced that the solutions advocated by the other side are exactly the things that are destroying the country.  Each accuses the other of treason.

One party has rigid control of the House and just barely controls the Senate, but not the presidency.  The party in control of the legislature blames all the problems on the president and vice versa.

Congress blocks all presidential initiatives and refuses to fund the government.  The president vetoes what he sees as disastrous crackpot bills and, citing lack of funds and changed circumstances, refuses to enforce old laws that he believes are contributing to the decline.

Stalemate continues, neither side backs down, the U.S. defaults on its debts, the world economy collapses, and all major problems suddenly get much, much worse.  People are starving, riots break out and are bloodily suppressed, Democrats are lynched in red states, and Republicans are hunted down by angry mobs in blue states.

Sensational news stories break, claiming that the president and senior members of his party had met to secretly decide to suspend the constitution and declare martial law during the next Congressional recess.  The House immediately votes to impeach the president, the vice president, and 47 senators from the president’s party on charges of treason.

The Senate, on a simple majority vote, rules that given the clear and present danger of a traitorous coup attempt, the impeached senators and accused traitors are to be be arrested and cannot vote on questions of impeachment or expulsion.  Immediately afterward, a two-thirds majority of the unimpeached senators vote to expel the impeached senators and to convict the president, the vice president, and the 47 senators of “high crimes and misdemeanors” and remove them from office.

The Supreme Court fractures along ideological lines and issues a 4-4-1 split decision invalidating the decision to “suspend” the 47 senators and therefore invalidating the removal of the president and vice president.  However, the Chief Justice chooses to interpret the murky wording of the 1 separate opinion as meaning that the verdict is “advisory” only, and proceeds to swear in the Speaker of the House as president.

The “new president” orders military units to surround the White House and arrest the “old president” and his criminal supporters.  A Virginia National Guard mechanized battalion makes a pre-arranged dash for the White House in an attempt to comply, but several companies of marines are hastily scrambled from the Navy Yard to block its path.  Civilians throwing Molotov cocktails force the armored units to retreat.

Meanwhile, the “old president” declares a state of civil insurrection and orders a battalion of MPs from Fort Meade and several other nearby units to move on Capital Hill in order to arrest the former Speaker and presidential “pretender.”

More units enter the city from all sides.  Pitched battles are fought along Pennsylvania Avenue, around Capitol Hill, and for control of essential bridges and avenues.  Memorial Bridge is destroyed and the Capitol Building and the White House both take severe damage as all the politicians scatter and retreat to their home states.

Both presidents declare martial law and issue a call for obedience and order.  Red and blue states align according to party.  Fighting breaks out as military units refuse to accept orders from “renegade” officials of the opposite faction.

Mutinies occur in many units, and both sides rapidly purge officers and NCOs who refuse to go along with the winning side.  Pitched battles are fought on some military bases as units choose opposite sides.

Aided by Rutgers ROTC units and a hastily organized Loyalist militia from Newark, the New Jersey Guard is one of several state forces that defy orders and arrest their own governors.

The Joint Chiefs hastily declare neutrality and seize control of northern Virgina and most of DC.  Many military units that have avoided partisan clashes take up defensive positions and attempt to impose martial law in their immediate areas, but the old south and many midwestern states quickly declare for the “Patriots.”

Most of the navy stays neutral, but some ships have to put to sea in haste with skeleton crews and deckloads of refugees as southern naval bases are overrun by Patriot militias and National Guard units.

A guerrilla war breaks out in California, where Patriot militias seize large parts of the state in the east, the south, and the central valley.

The Loyalist states of Colorado and New Mexico are invaded by Patriot units from neighboring states seeking to control strategic air and nuclear assets.  Although officially neutral, Air Force units cripple the invading units and force them to retreat.

The Montana National Guard and local Patriot militias overrun and capture numerous missile silos, but not before the determinedly neutral missile crews manage to sabotage all of the ICBMs and the launch equipment.

The Patriot president calls for a cease fire and immediate partition of the country, effectively calling for the expulsion of the Loyalist states.  A low-yield nuclear explosion is detected in Kansas where Patriot delegates are gathered for a constitutional convention.

The disintegration continues.

*******

Okay, I could go on, but you can see where this is going.

The point is that one of the flaws in our constitutional system – and a crucial flaw in the “it couldn’t happen here” argument – is that each house of congress has the sole, unchecked, and arbitrary authority to determine its own rules.  If one party controls both houses, it is then possible to use those rules and the impeachment powers to expel any sitting members of either house, making a legislative coup d’etat an ever-tempting prospect in times of deep ideological division.

All it takes is belief that the other side is completely evil.  Then any good pretext will do.

Ref:
Article I, Section 5 of the United States Constitution provides that “Each House [of Congress] may determine the Rules of its proceedings, punish its members for disorderly behavior, and, with the concurrence of two-thirds, expel a member.”

Wakanda, the Black Panther and the Attack on White Culture

But Explain Detroit… “Black Panther” Stars Believe if it weren’t for Western Colonization, Africa Would Boast Most Advanced Civilization on Earth

Shot. [‘BLACK PANTHER’ STAR MOVIE SHOWS AFRICA’S POTENTIAL If Not for Slavery!!!, TMZ, 1-30-18]:

The King from “Black Panther” says his Marvel movie is way more than a superhero flick — it’s also going to debunk a bunch of stereotypes about Africa. In other words … school’s in!

An image from Black Panther depicting Wakanda, the most advanced civilization on earth.  Doesn’t look much like post-white Baltimore, Detroit, Newark, Camden, or Jackson (MS)…

We got John Kani, who plays King T’Chaka, and asked if he thinks the highly anticipated film will ease racial tensions in America. His answer was, quite frankly, awesome.

“See the Black Panther, you’ll see we built the pyramids in Egypt,” he said.  

Chaser. [Lupita Nyong’o Hopes ‘Black Panther’ Will Help Many Envision What Africa Would Look Like If It Had Never Been Colonized, Atlanta Black Star, 1-31-18]:

At the world premiere screening of the highly anticipated film “Black Panther”, Lupita Nyong’o spoke to E! News briefly about what it actually took for her to pull off the fierce role of Nakia. Lupita said to perform this role she had to be in “particularly good shape for it to do the stunts. And she “loved it.”

We are about to see black power on celluloid like never before…

The actress then expressed her take on the movie. She explains that the fictional nation Wakanda is “such an exciting world to be in. Like none other we’ve ever seen.” She goes on to say it’s like we see “what would Africa look like if it was not colonized.” Nyong’o says she hopes the audience leaves thinking about if “they can be citizens of Wakanda.”

The black actors, more than 90 percent of the cast in the movie, actually believe it’s only because of colonization by Europeans the natural evolution of Africa into an advanced civilization boasting unparalleled technology was retarded (however momentarily). They legitimately – literally – believe “royalty is in our [African] DNA.

In post-Apartheid South Africa, where hyper-affirmative action laws (BEE) have mandated the shuttering of competent white engineers in the private/public trying to maintain infrastructure whites long ago built, rolling blackouts are the norm and Cape Town is on the verge of running out of potable water. Don’t even get us started on Ponte City Tower in Johannesburg

Afrocentrism on steroids is the only way to describe Black Panther, when an overwhelming amount of empirical evidence (pattern recognition) actually showcases the concept of black power being the greatest EMP to western civilization – any civilization – once implemented.

#WakandaIsntReal: The Story of a White American Who Tried to Rebuild a Centuries Old Bridge in Ethiopia (Originally Built by Europeans)

PK Note: I forgot I wrote this, but it’s included in Captain America and Whiteness: The Dilemma of the Superhero, published in August of 2011. It discusses Wakanda and the Black Panther, long before the dream of a film on the African King had come to fruition. 

Even though Stephen Hawking can’t find a Black ((((((Albert Einstein)))))) living in Africa; even though 98 of the 108 patents granted in all of Africa came from white people living in South Africa; even though not one invention of significant importance can be attributed to an African; even though immense resources have been mined by European, American, and Chinese companies, where the indigenous Africans can’t conceive of usages for them; even though all of the aforementioned is true,  Marvel Comics decided that the nation with the most advanced technology would set in the mythical African nation of Wakanda, protected by the Black Panther.

 
A bridge in Ethiopia, built by Europeans centuries ago. Africans never rebuilt the bridge, so they cross it via ropes

Though the only Nobel Awards given to those of African descent have come in either peace or literature, Marvel expects us to believe that the most advanced technological society on earth is in Africa.

Wikipedia tells us:

Wakanda is a fictional nation in the Marvel Universe. It is the most prominent of several fictional African nations in the Marvel Universe. Wakanda is located in Northeastern Africa, although its exact location has varied throughout the nation’s publication history: some sources place Wakanda in East Africa, just north of Tanzania, while others – such as Marvel Atlas #2 – show it bordering Lake Turkana, near Somalia, Kenya and Ethiopia (as well as fictional countries like Azania, Canaan and Narobia). Wakanda first appeared in Fantastic Four #52 (July 1966), and was created by ((((((Stan Lee)))))) and ((((((Jack Kirby)))))). The name is evocative of the Wakamba tribe of Kenya.

Marvel would have us believe that a continent, where the overwhelmingly majority of innovation is originating from white South Africans, could produce an ancient land called Wakanda that harbors one of the most advanced civilizations in the world.

At this point it would be wise to reproduce an article from a 2002 issue of National Geographic that discusses the breadth of African innovation. That article showed a bunch of Africans standing on a dilapidated bridge built by Europeans for the famous Ethiopian Emperor Fasilides more than 300 years prior. Influenced by this picture Ken Frantz, a white Virginian who was in the construction and building industry, decided to found Bridges to Prosperity to help rebuild this collapsed European bridge in the heart of Africa; a task that Africans were incapable of doing.

Here is that article which discusses Ken’s inspiration to found the group:

Ken Frantz decided to fix an Ethiopian bridge because, he says, “I’m a boy, and boys love bridges.”Happily, this “boy” owns a construction company.

Ken, 52, was waiting for mechanics to service a truck in his hometown of Gloucester, Virginia, when he picked up the December 2000 Geographic. He saw a photo of Ethiopians being hauled on a rope across the Blue Nile- a 360-year-old bridge that had been destroyed during the Italian occupation of 1935-1941. “I looked at the photo once, twice, three times,” Ken recalls, “and it came to me: What I want to do is repair that bridge.”

Ken helped launch Bridge to Prosperity, dedicated to building bridges to help create wealth in developing nations. The group surveyed the site, won backing from tribal elders, and chose a lightweight steel design. Donkeys toted in 25,000 pounds of supplies, and Ken, his crew, and Ethiopian volunteers rebuilt the bride in ten days at a cost of $108,000, largely donated by the organization’s founders.

“Half a million people live near the bridge,” he says. “Now they can trade, get to hospitals and schools on the other side, and see family they haven’t seen for years.” Ken’s group has also built cableways in Nepal, a suspension bridge in Indonesia, and a second Ethiopian bridge.”

Why did it take a white guy in America, galvanized by a desire to help those less fortunate, to help build a rebuild a destroyed bridge? Frantz explained further:

“It was built in 1640, approximately, by a very famous emperor, Fasil. And he was just a building maniac.”  Emperor Fasil’s bridge spurred a flourishing trade route. But as people chopped down trees in this area, erosion increased – and so did flooding. Increased flooding undermined the bridge.

 
A white engineer in the USA helped rebuild this bridge, because Wakanda isn’t real.

“So it was constantly being washed out. Until it got the name the Sebara Dildiy. Sebara Dildiy in Amharic means broken bridge.”  In 1936, Ethiopian nationalists destroyed the Sebara Dildiy on purpose, to slow Mussolini’s invasion during World War II. Makeshift repairs using logs held the bridge together until the mid-1950s.  After that, travelers and their livestock could only cross the river on a tattered rope, pulled by ten men on either side of the river. Nine years ago, Ken Frantz saw a photograph of this precarious scene in National Geographic and decided to fix the broken bridge. He assembled a team to repair Sebara Dildiy in 2002 using steel beams that were painstakingly carried down and assembled on site. But THAT bridge didn’t last. A flood destroyed it in 2006. That’s why Frantz and his team have returned to Ethiopia – to try again. This time, they’ve taken on a more ambitious project: A new, cable suspension bridge, much longer and higher off the river. But not everything would go as planned.  “All right, tell everyone, higher one is coming from the inside…”  Bridges to Prosperity’s director of operations Avery Bang supervised final preparations. She found a few surprises. Her group had trained a young Ethiopian engineer to oversee construction of steel and concrete anchors on opposite walls of the canyon.  These would secure the cables. But the location of the anchors was different from what the plans had called for.  “The excavation was supposed to be further back and deeper. What are you going to do? You have to redesign.”  So the team revamped the way the cables would be cemented into the anchors. The pace of work picked up after all six cables had been hauled into place. On one side of the river, workers began winching the cables tight.  The cables slowly rose in a gently drooping arch between the canyon walls. On the other side, workers sawed wooden planks for the walkway. Ken Frantz and two of his brothers nailed the planks in place.  They were halfway across the span, 80 feet above the river, when calamity struck. A stone pillar that anchored one of the handrails rocked, then tipped, then tumbled down the steep hillside. Ken Frantz’s brother Forrest later recalled the tense moment.  “We looked up, looked out across the river, and it’s pretty far away – it’s hard to see the details, what’s going across the river – but you could see the tower collapse. The cable dropped, hit the ground, and a cloud of dust came up. The next thing we heard was horrifying. And that was the sound of things dropping into the river. We could not see through the dust. We didn’t know what was falling into the river. We did not know if it was rocks or if it was people.”

Why didn’t the Wakandians build the bridge for them? You see, in the real world, American engineers motivated by altruism – such as Ken Frantz – build Africa’s infrastructure for them; or Chinese companies – motivated by profit, expansion and cultivating resources the African population can’t cultivate on their own – perform this task.

 
White people built the bridge. It was destroyed and Africans couldn’t rebuilt it. A white guy from the USA rebuilt it. #WakandaIsntReal

Sadly the best aviators and airplanes aren’t built in Wakanda either:

Deaths on commercial aircraft worldwide rose 15 percent last year while the overall accident rate involving Western-built jets fell to an all-time low.

Those figures were released Wednesday by the International Air Transport Association, a trade group for the world’s airlines.

The group said 786 people died in 23 separate accidents last year, up from 685 deaths in 18 fatal crashes in 2009. The figures include all kinds of jets and turboprops operated on commercial flights but don’t include private or military aircraft.

There were no fatalities involving U.S. airlines last year. The most recent fatal accident involving a U.S. airline was the February 2009 crash of a Continental Connection flight near Buffalo, N.Y., in which 50 people died.

Accident rates were lowest in the former Soviet republics and North America, followed by North Asia and Europe. Rates were higher than the world average in the Asia-Pacific region, Middle East-North Africa and Latin America-Caribbean.

The highest rate was in Africa. IATA said African airlines accounted for 2 percent of worldwide passenger traffic but 23 percent of serious accidents.

Regrettably, Wakanda (or for that any of Africa, save white South Africa) can be seen illuminated from the vantage of space. Consult these NASA images available at (http://geology.com/articles/satellite-photo-earth-at-night.shtml).

While the United States and all of Europe, with parts of Russia, Asia, Australia, and South America, can be seen to have beings of intelligence capable of producing electricity, the heart of Africa is dark from space.

Why isn’t Wakanda illuminated?

Probably because, like it’s protector the Black Panther, the nation is a figment of Marvel writer’s imaginations. Yes, the leader of Wakanda is named the Black Panther, and in the comics he routinely battles members of the KKK, radical white Afrikaners, and other assorted white supremacists and international enemies attempting to steal Wakanda’s technological secrets.

In the early 1990s, popular movie franchises like Superman (four movies starring Christopher Reeve) had already been made; two Tim Burton Batman films (starting Michael Keaton); and three hilariously bad Marvel films (1989’s Punisher starring Dolph Lundgren, 1990’s Captain America, and a Fantastic Four movie that never saw a theater or VHS release); not to mention a live-action Dick Tracy, The Shadow, and The Phantom films – all staring white guys – were on the verge of being released.

Wesley Snipes, who would portray the Black vampire Blade in three films, wanted to bring Wakanda and its protector, The Black Panther, to life. He told the St. Petersburg Times in 2010:

Snipes said in August 1993, “We have a wide-open field for comic book characters on the big screen and we’ve yet to have a major black comic book hero on the screen. Especially the Black Panther, which is such a rich, interesting life. It’s a dream come true to originate something that nobody’s ever seen before.”

As of yet, tales of Wakandian lore have yet to reach the cinema, but such an event can only be around the corner. Marvel is trying to option all of their major or minor heroes into films – to generate more and more revenue – and the tales of the Black Panther fighting for the honor of the technological advanced citizens of Wakanda will make a great addition to the stories of Iron Man, Thor, Spider-Man, and Captain America.

Even though Stephen Hawking can’t find a black Einstein in Africa, Marvel Comics can help draw up some historically inaccurate self-esteem for the few black readers of comics by creating Wakanda.

Posted by Stuff Black People Don’t Like

“Royalty is in our DNA” — The Black Hype for ‘Black Panther’ Represents how Blacks Privately View Themselves: As Kings and Queens

The Ron Clark Academy in Atlanta, a 96% black middle school, is a goofy private school spending nearly two times per pupil as other schools in the state of Georgia.

It’s also the home of the latest viral video for the upcoming Black Panther film (one inspiring black people to take the #BlackPantherChallenge and pay for young blacks to see the oozing with black supremacism movie), where the black students learned they’d be going to it for free. [WATCH: Atlanta school surprises students with ‘Black Panther’ movie tickets in viral video, AJC, 2-2-18]:


“Black Panther” is one of the most anticipated films of the year, and one school just surprised all of its students with tickets

If you ever wanted to get a glimpse of how black people privately view themselves, it’s magnified ludicrously in Black Panther.

Ron Clark Academy, a middle school located in southeast Atlanta, recently posted a video of its students dancing and chanting after learning they were headed to the theaters to see the action flick, out Feb. 16. 

The school, which has 120 scholars, uploaded the clip on its Facebook page Friday with the caption, “that moment when the whole school finds out they’re going to see Marvel’s new movie, Black Panther!”

The nearly one-minute-long post quickly went viral, garnering more than 600,000 views and nearly 27,000 shares within just three hours. 

Not only will the kids gather to watch the motion picture, they will also have a day of cultural classes, featuring lessons on African art, dance, music, math, science, history and spirituality.

“The beauty of African traditions are woven into a sci-fi film with tremendous opportunities to have discussions about cultural and identity,” Susan Barnes, the art teacher at the school, told the Atlanta Journal-Constitution. “Furthermore, to see a black male lead as a superhero is very powerful for our students because traditionally superheroes have been white.”

Starring Chadwick Boseman, Michael B. Jordan, Lupita N’yongo and a host of others, the Ryan Coogler-directed movie follows Black Panther, or T’Challa, as he returns home to his African nation of Wakanda to reclaim his throne.

The entire staff, which is a diverse bunch from different backgrounds, is excited about the event, and they said they’re enthusiastic to “provide an opportunity for discussion and reflection that will be powerful!”

Wakanda isn’t real, but the fictional African nation represents the exact type of world Africans in America believe they’d create if it weren’t for the pernicious influence of systemic racism, implicit bias and white privilege. Black Panther is a movie playing upon blacks embarrassingly unjustified high self-esteem (“royalty is in our DNA,” and “create vivid images of black excellent”).

Watch this video of blacks celebrating the free ticket to see the movie (and how the fictional movie will be incorporated in their history and math curriculum) and notice if you can find an image of one of the lone white students at the black empowerment middle school…

Marvel’s “Thor” Was Based on Nordic Mythology, but included Africans as White Gods; “Black Panther” Created by Two Jewish Guys in 1960s, is Ultimate Black Power Myth Now

PK NOTE: For the record, the Nordic myths behind the Marvel character Thor bound a people together and formed the basis of a civilization via religion; two Jewish guys invented Wakanda in the 1960s, a black power fantasy depicting an African nation untouched by white hands that present-day black people now worship as manifestation of Afrofuturism and solving Hollywood’s “Africa Problem” 

Shot. [Idris Elba defends Thor film role: Race debate stirs after London-born star of The Wire wins role as Norse deity Heimdall in Kenneth Branagh’s new film Thor, The Guardian, 4-27-10]:

Even for an actor who has played a vampire-hunter with a guilty conscience, a Baltimore crime lord with a taste for Adam Smith, and an asset manager with a stalker, the role of the Norse deity Heimdall – guardian of the burning rainbow bridge between the world of men and the world of gods – was always going to be a bit of a challenge.

Marvel’s Thor: A mockery of European traditions, myths, and religion

But playing a god in Kenneth Branagh’s forthcoming film Thor has turned out to be the least of Idris Elba’s worries, after fans of the comic books turned on the star of The Wire for reasons that have nothing to do with his acting ability and everything to do with the colour of his skin.

When news emerged late last year that the 37-year-old black Londoner had been chosen to play Heimdall, “the whitest of the gods”, a being who can hear the sap flowing in trees and look across time and space, many devotees of the Marvel comics on which the film is based flocked to online forums to weep, gnash their teeth and unleash a tide of indignation.

A fortnight ago, the actor told Jonathan Ross that his take on Heimdall was “Norse by way of Hackney, Canning Town”. And at the beginning of the month, he told a press conference that he saw his casting as an encouraging step.

His view was not shared among the more vehement of the comic books’ fans. “This PC crap has gone too far!” wailed one. “Norse deities are not of an African ethnicity! … It’s the principle of the matter. It’s about respecting the integrity of the source material, both comics and Norse mythologies.”

Fellow fans were quick to nod their horn-helmeted heads.

“At the risk of sounding like a bigot, I think this is nuts!” said another. “Asgard is home to the Norse Gods!!! Not too many un-fair complexion types roaming the frigid waste lands up there. I wouldn’t expect to see many Brad Pitt types walking around in the [first mainstream black superhero] Black Panther’s Wakanda Palace!”

Elba, who was born in Hackney, north-east London, to a Ghanaian mother and Sierra Leonean father, has addressed such concerns in a string of recent interviews.“There has been a big debate about it: can a black man play a Nordic character?” he told TV Times. “Hang about, Thor’s mythical, right? Thor has a hammer that flies to him when he clicks his fingers. That’s OK, but the colour of my skin is wrong?

“I was cast in Thor and I’m cast as a Nordic god,” he said. “If you know anything about the Nords, they don’t look like me but there you go. I think that’s a sign of the times for the future. I think we will see multi-level casting. I think we will see that, and I think that’s good.”

Chaser. [Who’s Allowed to Wear a Black Panther Mask?, Kwame Opam, 2-13-18]:

In an interview with BuzzFeed News in the fall, Sterling K. Brown, a star of “Black Panther,” thrilled at the prospect of children, black and white, dressing up as the title character. “This Halloween, the first time I see a little kid, a white kid, dressed up as Black Panther, I’m taking a picture,” he said. “You better believe I’m taking a picture, because that’s the crossover.”

Chadwick Boseman, who plays Black Panther in the film, had already witnessed said crossover, he said in the same interview: “I’ve seen little white kids dressed up as T’Challa. I’ve seen pictures, and I’ve seen it in person.”

Wakanda: a veritable social construct, devised by two Jewish comic writers, playing upon toxic levels of black self-esteem/vanity and mentally debilitating white guilt

Black Panther costumes — whether the character’s full raiment or just his claws and mask — are on toy store shelves (and, of course, on Amazon) in anticipation of the film’s Feb. 16 release. At best, the character get-ups speak to the enthusiastic embrace of a black superhero. At worst, they could be perceived as an unwitting form of cultural appropriation, which has in recent years become a subject of freighted discourse.

What does that dual significance mean for children? And, perhaps more urgently, what does it mean for the parents who will buy the costumes for them?

“As parents, or even as the people creating costumes, we need to be very aware of what that says,” said Brigitte Vittrup, an associate professor of early childhood development and education at Texas Woman’s University. “There’s not a whole lot of black superheroes, so this is a really important thing, especially for black kids growing up.”

Many parents are split on how Black Panther’s blackness should figure into their children’s relationship to the character. Some argue that placing racial boundaries around expressions of fandom is unnecessary.

“I’m actually wondering now what it might be like for that parent who’s not of color if his kid comes home and says, ‘I want to dress up like Black Panther,’” said Katrina Jones, 39, the director of human resources at Vimeo. “When I look at it, I see no reason why a kid who’s not black can’t dress like Black Panther. Just like our kid who’s not white dresses up like Captain America. I think the beautiful thing about comics is they do transcend race in a lot of ways.”

Mary Dimacali, 29, a social media and marketing manager in Rockland County, New York, echoed that idea. She does not believe that her fiancé’s 7-year-old son, Sawyer, who is white, sees the film or its characters through the lens of race. Sawyer himself, during the interview with Ms. Dimacali, said, “sure,” when she asked if he’d like to dress up as Black Panther.

“For a white kid to be so open and judge based on the character’s story and the personality and history, I think that’s what’s important,” she said. “But on the flip side, I think it’s also great to have a black superhero you can identify and connect to.”

The character’s history is unique. Created by ((((((Stan Lee)))))) and ((((((Jack Kirby)))))) in 1966, Black Panther rules as the king of an African technological utopia known as Wakanda. Untouched by European invaders, Wakanda exists apart from the legacies of colonization and racism. Black history and black fantasy are central to the character, and the series has brought on prominent black writers including Ta-Nehisi Coates to deepen its significance over the last 50 years.

Consequently, some parents have felt pressure to hammer home Black Panther’s heroism through the lens of race.

“I’m conflicted,” said Evan Narcisse, a senior writer for the website io9. He is completing “Rise of the Black Panther,” a six-part comic series for Marvel that traces the character’s early history. He has tried to explain some of that history to his 7-year-old daughter, but without delving too deeply into complex concepts like Western imperialism, which she may struggle to grasp.

“You want that white kid to be able to think that he can dress up in a Black Panther costume, because, to that kid, there’s no difference between Captain America and Black Panther,” Mr. Narcisse, 45, said. But, he added, it also involves “trying to explain what is special about T’Challa and Wakanda without racism. And it’s like, ‘Can’t do it.’ I couldn’t do it.”

According to the ticketing site Fandango, “Black Panther” set a record among Marvel films for the most advance tickets sold in a 24-hour period. It’s projected to make a record-breaking $165 million over Presidents’ Day weekend and comparisons to last year’s “Wonder Woman” bode well for its reception and impact, particularly for black people.

I’ve been to Wakanda, and I may never recover. I am so grateful that our young people will see this film and their minds will be transformed. Congratulations #RyanCoogler —you did that! #blackpantherpremiere #blackpanther — Vanessa K. De Luca (@Vanessa_KDeLuca) Jan. 30, 2018

“White people have the privilege of not constantly being reminded of their race in the United States, where white is the majority, whereas as a black person you don’t,” Ms. Vittrup said.

She believes that parents in general, and white parents in particular, are reluctant to talk about race with young children.

When they do, they often miss the chance to talk about inequality, even though research supports the idea that children develop an awareness of race and difference at a very young age.

Ms. Vittrup was careful to add that dressing as Black Panther isn’t inherently appropriative or offensive. The character comes from an invented African country, and to wear his mask isn’t quite the same as wearing blackface. However, in a moment where even more black heroes, like Luke Cage and Black Lightning, are finding their way into the limelight, Black Panther’s relationship with the black community and its history creates an opportunity to teach nonblack children about the black experience.

“Kids are not colorblind,” she said. “There’s a lot of structural inequality in our society, and kids are noticing that. By not mentioning it, by not talking about it, we’re essentially preserving the status quo.”Continue reading the main storyAdvertisementContinue reading the main story“I’m actually wondering now what it might be like for that parent who’s not of color if his kid comes home and says, ‘I want to dress up like Black Panther,’” said Katrina Jones, 39, the director of human resources at Vimeo. “When I look at it, I see no reason why a kid who’s not black can’t dress like Black Panther. Just like our kid who’s not white dresses up like Captain America. I think the beautiful thing about comics is they do transcend race in a lot of ways.”

Norse mythology is a real, highly verifiable component of European culture and identity, spanning centuries and connecting a unique racial group to their ancestors; Wakanda is a social construct, the wish fulfillment of Africans for a superior black power civilization – in the face of overwhelming empirical evidence of black dysfunction/failure when compared to European ingenuity –  only possible on film because of technology invented by white people (visual special effects), and a mythology created by two Jewish guys in the 1960s.

Hollywood must promote black self-esteem at all cost, while doing everything possible to bury any sense of pride white people might procure from seeing their past, history, and religion proudly displayed on film.

#WakandaIsntReal

BLACK PANTHER Will Be A Hit–But Will Blacks Side With The “Villain,” Killmonger?

[See Also by Paul Kersey: Thing Is, We’re Supposed To BELIEVE This BLACK PANTHER Black Power Fantasy]

Black Panther will be a monster hit at the box office in its opening weekend [‘Black Panther’ Heading Toward Massive $170 Million-Plus Opening, by Dave McNary, Variety, February 12, 2018]. My guess is it will surpass $200 million, as black identity and Main Stream Media cheerleading are creating a formidable marketing combination [Black Panther: does the Marvel epic solve Hollywood’s Africa problem? By Steve Rose, Guardian, February 3, 2018]. But while the top-down driven marketing campaign will almost certainly make the film a financial success, many blacks may take away the wrong message. After all, the real Afrocentric hero is “villain” Erik Killmonger–not Wakandan prince  Black Panther.

You’ll Never Use Amazon Again After Seeing This Shopping Site
Tophatter

And which message people take away from this film is a desperately important question. After all, the MSM desperately wants this film to be a commercial success and is promoting it as a political milestone. The film already has a 98% fresh rating on Rotten Tomatoes–not surprising considering the website seems to be blocking anyone with a negative review, calling it “hate speech” [Rotten Tomatoes Will Block Anyone Who Tries to Sabotage ‘Black Panther’ Fan Score: ‘We Do Not Condone Hate Speech’, by Zack Sharf, Indiewire.com, February 2, 2018].

Despite the Black Panther character being created by two Jewish guys in the 1960s, the film is pure racial triumphalism [‘Young black people can be heroes too’: the campaign to send kids to see Black Panther, by Precious Mayowa Agbabiaka, Guardian, February 9, 2018]. it is being portrayed as a representation of what Africa would be were it not for European colonization [Black Panther is for film what Barack Obama was for the presidency, by Issac Bailey, CNN, February 9, 2018]. And it will have real world consequences:

South African actor John Kani, who plays King T’Chaka, told NBC News that this movie has a deeper meaning for non-Americans and people living in Africa.

“This movie will prove to the colonialists that if they had not interfered with Africa, we’d be so far advanced, may make them believe we built those pyramids in Egypt. No alien did them,” Kani said. “The metaphor is, Africa has great potential. Africa no longer relates to the world with a bag and bone. We’re looking for interaction and trade, not aid.”…

The idea of Wakanda and the Wakandan people serve as pure inspiration. Wakanda, as a model of the growth of the natural brilliance of an African nation that was never interfered with by the outside world coming in to colonize, to strip of its resources, to change their way of life – is an African utopia.

[‘Black Panther’s’ Wakanda sheds light on black excellence, by Jarrett Hill, NBC, February 9, 2018]

The fact this fantasy is seen as “proof” is disturbing. The film is telling blacks that the problems of Africans in the West and in Africa is simply the fault of white people. And this leads us to the film’s villain, Erik Killmonger.

Killmonger (whose character is a black American Spec-Ops soldier, something rare in real life) wants to utilize the military technology of the advanced African nation to enable black revolutionaries worldwide to wage war on white supremacy. The black experience in America is presented as justification for this mission of racial vengeance:

Michael B. Jordan adds fire as Killmonger, the radical who wants to pull Wakanda out of its comfort zone and into an armed struggle. That’s a storyline Coogler underlines by setting an early scene in Oakland, Calif., birthplace of the real-life black-power group.

[‘Black Panther’ review: A new icon and pure comic-book action, By Stephen Whitty, New York Daily News, February 7, 2018]

Of course, though it is not explained in the film, the broader mythos of the comics has to explain why Wakanda not only survived European colonization but did nothing to stop it elsewhere in Africa. And there is an answer.

[T]he Wakandans made a pact with the white European colonial powers: if you don’t make war on Wakanda, Wakandans will turn a blind eye to the Trans-Atlantic slave trade and European colonialism of the rest of Africa.

[Marvel Made a Black Panther Movie Partly Because Reginald Hudlin Put the ‘Black’ in Panther, by Todd Burroughs, The Root, February 7, 2018]

Talk about a bunch of Uncle Toms.

There’s a similar conflict in the film. The main dispute between Black Panther and Killmonger is over what Wakanda owes the larger black world. After all, if every problem blacks face is because of white racism, why shouldn’t Wakanda take action to stop it, given that it is vastly more powerful and advanced than the evil racist West?

It also doesn’t shy away from the fraught question being posed about what responsibility Wakanda has to the broader—white, colonial—world. Killmonger would say that what’s owed is a reckoning, a violent and necessary reshifting of power. T’Challa instead warily sees the potential benefit of peaceful outreach, of sharing ideas to heal past and current wounds. It’s complicated stuff, and not anything that Coogler offers an easy answer for. Watching these issues mulled over in a big superhero spectacular is quite something—it elevates the level of Marvel’s political discourse considerably.

[Black Panther Review: The Marvel Universe Finally Shows Us Something New, by Richard Lawson, Vanity Fair, February 6, 2018]

Indeed, as Variety notes, Killmonger is in many ways the most compelling character:

Killmonger has more than just wreaking chaos in mind. He’s motivated by a feeling of deep political injustice, plus a “This time it’s personal” sense of vengeance, and he’s convinced that raiding the Wakanda’s stockpile of Vibranium could put genuine firepower in a worldwide black uprising.

It’s a compelling idea (enough to sway a key ally played by Daniel Kaluuya), and a reminder that throughout the African diaspora, the black-white power balance remains as it is courtesy of Jim Crow practices designed to keep minorities in check: persistent segregation, broken drug laws, racially targeted policing, disproportionately high incarceration rates — all of which are identified and indicted by Coogler’s truth-to-power script. Arm the oppressed, Killmonger passionately argues, and it won’t take a century for the system that produced “The Birth of a Nation” to grant a black artist the right to tell this kind of story — not that Coogler endorses the character’s lunatic ideas.

[Film Review: ‘Black Panther,’ by Peter Debruge, February 6, 2018]

National Review, in a rather embarrassing attempt to get on board with the rest of the media, framed the film as a debate between Malcolm X (Killmonger) and the fake Martin Luther King Jr.  Beltway Right caricature:

Like many a great movie villain, Killmonger is seductive but wrong, and he stands for ideas that have considerable resonance in the real world. He channels the sense, memorably popularized by Malcolm, that the natural state of black people is to be kings. Black ghettoization was purposely engineered by duplicitous white people, who at first used enslavement but later turned to subtler methods of oppression…

Killmonger, then, wants the kind of race war Charles Manson dubbed helter skelter. That a large majority of the world’s most successful black people are American rather than African escapes the notice of such African-American radicals, who dismiss America’s opportunities for blacks and instead sentimentalize Africa in the same way Killmonger does.

[Black Panther Delivers, by Kyle Smith, February 14, 2018]

Yet most blacks in America really do believe they are helpless victims and identify as black rather than American. This is why efforts by Conservatism Inc. to win even a minuscule share of the black vote has been such an embarrassing failure. Indeed, the hunger by blacks to be portrayed as “kings” who can defeat the hated whites is driving much of the appeal of this film.

A people who believe they are oppressed from cradle-to-grave will now have a movie where the villain advocates utilizing advanced technology to arm black revolutionaries to wage a war on white people worldwide. As Black Panther is a bit of an Uncle Tom, hanging out with the mostly white Avengers, Killmonger  could well end up being the true hero of the film to black audiences. After all, if the only reason blacks are held down is because of “white racism,” Killmonger is right.

Of course, we could say there are other reasons why blacks have problems. But if we say that, well, that would be racist.

On His Netflix Comedy Special, Chris Rock Calls for the Shooting of White Children (So White Mothers Will Cry)

 Previously on SBPDL: The Mask is Slipping: Michael Eric Dyson Calls for the Killing of White Children

There’s not much else to say, except to rehash a harsh reality touched on a few years ago: The mask is slipping faster and faster. .

Every moment that passes, each second that ticks off of the clock, the mask gives way to an ugly truth most people never want to confront. 

Like Dorian Gray’s hidden portrait, this mask has repressed a truth so vile, so macabre, few people will be able to stomach it when they see it. 

It will knock them over. 

Many will turn their head at the horror; but like a gruesome car crash, it’s only natural – instinctive – to want to take a look. 

It’s Chris Rock’s turn to show us this image. [Everyone Will Be Talking About Chris Rock’s New Netflix Special, Esquire, 2-14-18]:

It’s been a shitty few years for America, years when Chris Rock’s hilarious outrage was not only needed, but necessary. While we haven’t seen much of him—he’s been dealing with a messy divorce recently—he has been around in subtle ways. He appeared in an essential post-election SNL sketch detailing that infamous November night in 2016. He helped Aziz Ansari craft a powerful SNL monologue, and he made a few late-night appearances softening our Trumpian reality.
But Tamborine, his surprise new Netflix special, gets everything out that’s happened to Rock and the country recently. It’s more of a therapeutic release than anything else, and if you’re in the mood to just release it all with a grin, then Tamborine is crucial.
After a fitting and brief opening to Thundercat’s “Them Changes”—”Nobody move, there’s blood on the floor”—Rock makes his statement immediately. Here’s his opening joke:

You would think cops would occasionally shoot a white kid just to make it look good. You would think that every couple of months they’d look at their dead nigga calendar and go, “Oh my god, the 16th—we gotta shoot a white kid quick.” “Which one?” “The first one you see singing Cardi B.”

Then he continues: “I want to live in a world with real equality. I want to live in a world where an equal amount of white kids are shot every month. I want to see white mothers on TV crying.”

Ladies and gentlemen, the mask is slipping. Chris Rock has his knives sharpened. He has just – on Netflix – called for the killing of white kids.

A lot of white people have tried to make this experiment work; but when looking at the picture of race relations in America, a disturbing hidden pictures emerges. Rock just showed it to us.

 Blacks have NO place in White nations, they must leave, all of them, and return to Africa.

Andrew Anglin Brutally Humiliates the Vile Slob Sargon of Akkad

Andrew Anglin

Daily Stormer
February 12, 2018

On Saturday night, I had a showdown with Sargon of Akkad, wherein he was brutally humiliated.

I have watched it now and can give comments on just how outrageous the WINNING was.

Firstly, there was clearly a problem with my mic – it was half as loud as Sargon’s. I asked Baked Alaska about that, and he says he kept adjusting my sound on his end and Sargon just kept turning up his own mic. After listening, I am 100% sure that Sargon was purposefully turning up his own mic so he could better interrupt and talk over me, and I agree that this succeeded in making me look weak. I never even would have imagined someone doing something like that. So there you go: the boy-scout Nazi unprepared for the wily ways of the anti-racist trickster.

The debate was supposed to be “do white people have a right to exist?” but Sargon came in claiming he didn’t want to have a debate and instead wanted to do Freudian analysis on me and find the secrets of my psychology (that really happened). I refused that game and he refused the debate, so we just had a largely incoherent argument for two hours.

I’m not going to claim that I functioned brilliantly in the capacity of a debater. But that was impossible. Firstly, I’m not trained in debating, it’s not something I’ve ever done at all, I’m used to having conversations with people who argue in good faith, rather than use bizarre and deranged evasion methods and audience manipulation techniques.

What I did do: I accomplished my goals.

Firstly, Sargon’s goal was to portray me as some kind of sadistic, psychopathic monster that just wants to slaughter a bunch of people. I successfully fended that off. And I presented myself as a reasonable and genuine person who wants to get at the truth and solve real world problems. He presented himself as a snakelike trickster, with zero care about truth or solving any problems.

So.

Goal of Not Being a Monster: Accomplished. 

Next, I had the goal of getting him to say a bunch of things that will come back to haunt him.

Things he said:

  • He does not believe Hitler was a bad person and his biggest mistake was invading Russia.
  • He agrees with white nationalism as an ideal (just doesn’t think it is moral to remove people).
  • People who are not Nazis are cowards/you have to be brave to be a Nazi.
  • America’s Founding Fathers were Nazis.
  • “Germans are worse than niggers” (but he doesn’t collectivize).
  • His morality supports gang-rape and sex trafficking gangs.
  • It is horrible that my hometown was overrun by Somalians.
  • He believes I am personally oppressed by Jews and that Jews oppress other people also.

Goal of Getting Sargon to Say Things He’ll Regret: Accomplished.

I also wanted to demonstrate that Sargon is an asshole and a hoaxer with zero interest in truth and reality.

All I had to do that is say reasonable things and let him dance around. The entire stream was Sargon using dirty tricks, refusing to hold any position, constantly interrupting, changing the subject, etc.

Three times he brought up the Atlantic article about me, saying he wanted to psychoanalyze me. In the middle of an ideological debate. That is the sort of depths this fat slob is willing to sink to. He is unhinged.

He had no arguments other than that I was planning to slaughter people, and when I said I was not he just kept saying I needed to admit my plan to slaughter people. He asserted that the only way to get a white country is through mass slaughter, without ever explaining what that meant. He framed this as a logistical problem. Hence we had “the morality of logistics.”

I continually asserted that I was simply interested in making the moral case for the existence of white countries, and he would just say that he agreed with that but that it doesn’t matter now because there are already nonwhites in white countries and there is no way to get them out.

He also claimed that the existence of Thomas Sowell justifies the existence of billions of black people, none of which do anything productive. That is just an example of the kind of arguments he was using.

He was like a child, doing nothing but appealing to emotion and trying to confuse issues with gibberish.

Goal of Demonstrating that Sargon is a Lying Snake: Accomplished.

Lastly, I wanted to show that Sargon had no solutions.

That I did better than I could have imagined.

His overarching solution is to “promote British culture and be proud of it,” and that this will make Moslems stop forming rape-gangs. He also said that this will make Moslem immigrants want to leave the country.

Most hilariously, he said that he had a plan to defeat the SJWs – but it’s a secret! A secret plan!

Goal of Proving There is No “Sargon Plan”: Accomplished. 

Sargon Destroyed

He cannot recover from this.

All of the comments everywhere are negative. Even people who hate me are saying he made himself look like a tricky liar with no interest in truth. Even people who say I didn’t perform well are saying that.

I did perform well – insanely well – because I accomplished my goals.

As you saw, there was nothing to argue with Sargon about. His plan is just a 30 second thing about culture. He agrees with everything else. Watch the video and count how many times he starts into something and then I say something and he just agrees. It’s nuts.

So no, debating is not my thing. I had to do it in this case because I am the Alt-Right celebrity, and it was important to show the skeptic audience that regardless of media claims, I am not a sadistic lunatic. I am a writer, and it is well-known that good writers do not tend to be good orators.

Against all odds, I conquered, and the internet will never be the same.

Sargon is no longer a viable actor, both because his own people have lost confidence in him and because he said all that insane shit, including agreeing with me, the most hated racist, on everything other than logistics.

Hail Victory. 

Jew York Times Praises Black Panther Movie for Bringing Hope and Pride to Negroes

Michael Byron
Daily Stormer
February 12, 2018

You almost have to feel sorry for blacks.

Their race has produced no majestic and sprawling civilizations, no uplifting feats of architecture, no significant technical innovations, no inspired literary or artistic masterworks… and, deep down, a lot of them know it.

Thus, to maintain their unwarranted and fragile sense of self-esteem, millions of blacks have chosen to take refuge in a fictional universe created for them by the men of other races.

Sad!

And, of course, the Jewiest Jewspaper of them all, the Jew York Times, is all too happy to publish their delusions.

New York Times:

Not since Spike Lee’s “Malcolm X” in 1992 has there been so much hype and hope for a movie among African-American audiences. From special group outings planned by excited fans to crowdfunding campaigns to ensure children can see it, “Black Panther” is shaping up to be a phenomenon.

In many ways, Black Panther is part of a current wave of black superheroes, like Netflix’s Luke Cage and CW’s Black Lightning. But “Black Panther” has the setting of Wakanda, a fictional African country that is wealthy (thanks to vibranium, a mineral with energy-manipulating qualities) and technologically advanced.

The fact that these Negroes constantly attribute the success of a nation to its external resources rather than the intelligence and industriousness of its people speaks volumes about their child-like mindsets.

You see, Wakanda is wealthy because it contains large stores of vibranium, a fictional mineral. Therefore, if Somalia or Zimbabwe had a vibranium of their own, they would look like Wakanda too!

It’s not the Africans’ fault that their countries lack natural wealth, honkies!

Many white racists claim that Africa actually does contain a lot of natural wealth, including virtually unlimited diamonds, which gives Africans zero excuses for their poverty. These are lies, goyim. Unlike the frozen expanses of Iceland or the arid deserts of Australia, which are packed with resources that give white people a huge advantage over the other races, the fertile continent of Africa is devoid of any natural resources at all.

For Frederick Joseph, a marketing consultant who created the #BlackPantherChallenge, a GoFundMe campaign to buy tickets so youngsters can see “Black Panther” in theaters, the complexity of Wakanda takes on new meaning in our current moment. Compared with President Trump’s disparagement of Haiti and African nations, he said, “You have Wakanda as a place of Afro-futurism, of what African nations can be or what they could have been and still be had colonialism not taken place.”

Wait a cotton-picking minute, Mr. Joseph. There are at least two countries in Africa that remain uncolonized to this day: Liberia and Ethiopia.

Liberia is one of the most corrupt and dangerous nations on the West African coast, and Ethiopia is the poorest country in the world after the superbly-named Niger. So you don’t need to see Wakanda to get a glimpse of an uncolonized Africa; it’s already out there, proving your arguments wrong.

Ethiopia: the real life Wakanda.

I won’t delve deeper into the article because, honestly, it starts to get a little depressing. Blacks really don’t seem to understand the difference between creating an advanced continent in real life and watching a fictional one on the silver screen.

To them, the achievement is the same.

Ultimately, you almost have to be impressed with the extreme chutzpah of these failing Jewspapers. Their principal readership is still educated whites, yet they continue to insult their intelligence on multiple levels.

Not that we should complain, of course. If Jews want to continue destroying themselves by publishing fake news stories and moronic opinion pieces, let’s not get in their way.

What a nice-looking building. Would be a shame if a bunch of Nazis bought it out after the inevitable bankruptcy…

Leak Of FISA Abuse Memo Mentions Comey, McCabe, Rosenstein

OAN Newsroom

As the #ReleaseTheMemo campaign gains momentum, the first leak of the document names three top FBI and DOJ officials as allegedly spying on the 2016 Trump campaign.

One America’s Kristian Rouz has the latest.

http://www.youtube-nocookie.com/embed/eaM2x9F1OMI?autohide=1&showinfo=0&rel=0&autoplay=1

Soft Coup Against Trump in Progress! Massive Conspiracy of Treason and Sedition!

US Intelligence Agencies Conspire To Implement A Coup D’état

There is now a highly coordinated conspiracy afoot to take down President-elect Donald Trump.

This deliberate scheme to execute a soft coup has been orchestrated at the highest levels of the Obama Administration, Democratic and Republican National Committees, as well as the major intelligence agencies and special secret services.

Such a coup d’etat has all the hallmarks of the CIA, DIA, NSA, DHS, FBI, as well as many other organizations which comprise the “17 Agencies of the US Intelligence Community“.

FBI Agents Prepare To Counter CIA Coup Against Trump

The essence of their scheme is to fabricate the appearance of collusion between Donald Trump and Vladimir Putin.  They especially strive to put out fraudulent and contrived evidence that Putin possesses salacious material on Trump that is substantive enough that it can be used to blackmail him.  Wait, it gets worse … or, rather, this CIA implementation plan will continue to evolve so that the US Congress is forced to take unprecedented action.

____________________________________________________________________________
Special Note:
What follows is just one example of how much Donald J. Trump is upsetting the NWO apple cart.  Robert Kennedy Jr. agrees to ‘chair a commission on vaccination safety and scientific integrity’ for Trump  It ought to be obvious by this critical appointment that Trump is willing to take on a central pillar of the NWO social engineering agenda. In fact the super-vaccination agenda is as BIG as it gets in terms of controlling the entire human population.  RFK Jr. is well known among health advocates to be a zealous truth seeker regarding the inherent dangers of vaccines, and especially of the overly aggressive vaccination regimens that young children are now exposed to.  The bottom line concerning this extraordinary appointment by Trump is that he is showing a courageous willingness to go after one of their sacred cows.  You don’t ever go after their sacred cows and expect to succeed given the current institutional arrangements which make up the Global Control MatrixBig Pharma is an extremely powerful corporate NWO player that has always gotten their way, so they will NOT play nice.  A soft coup was initiated on the very same day!
____________________________________________________________________________

THE LAST PEACEFUL OVERTHROW ATTEMPT BEFORE THE PUTSCH

The final push to revoke the results of the 2016 presidential election has begun in earnest.

With the publication of more fake news about Trump’s hidden relationship with Russia, the Mainstream Media (MSM) has been enlisted by the CIA to disseminate completely fictitious accounts to undermine his victory.

That the MSM was so easily conscripted to report such patently false information is beyond comprehension.  They have taken the extremely reckless initiative to distribute obvious falsehoods about Trump’s non-existent relationship with President Vladimir Putin and the Russian Federation.

The very dissemination of such dangerous fake news, in this particular context, constitutes high treason, corporate sponsored sedition among a number of other very serious felonies. Not only have the MSM traitors acted against the American Republic, they have betrayed the U.S. citizenry in ways that require their criminal prosecution.  The whole array of MSM organs of propaganda may have just sealed their fate—perhaps a total takeover of the MSM by the appropriate presidential oversight commission.

That many of the major MSM news outlets have trumpeted these false claims against Trump could only have occurred with the blessing of the Obama Administration.  Obama himself has politicized the outcome of this election which clearly indicates that he has no intention of leaving.  His many unprecedented disruptions to a smooth transition are so reprehensible and feckless that he will surely be called to account when this ongoing coup has been short-circuited.

FROM NOW UNTIL INAUGURATION DAY

Make no mistake about it: from now until Inauguration Day will be the most dangerous times for Donald Trump and his transition team.  The very future of the United States of America now hangs in the balance as never before.  Hence, it is imperative that every American citizen stays vigilant and does what the Turks recently did to avert the CIA-directed coup against President Recep Tayyip Erdoğan and his government.

The people went out in the streets and shut that violent US-coordinated coup down in an Ankara minute.  That’s where we are at this very moment; for if the soft coup is not successful for the traitors, they will not stop until they have violently removed Donald Trump from the picture.

Now that so many agencies of the U.S. Federal Government have graphically exposed themselves, there is no going back for them.  The culpability of the C.I.A. and other intelligence agencies etc. is so obvious for the whole world to see, that they have no choice but to be successful however they must; otherwise, many will face the gallows for high treason.

Herein lies the real challenge for the American people: to terminate this coup-in-progress once and for all before it terminates any semblance of the American Republic.

What are you, American citizens, going to do?

Conclusion

There can be only one reason for the fake dossier that was fabricated by rogue elements within the U.S. intelligence community.  To use it as a pretext to delegitimize the presidency of Donald Trump by traitors within the Obama Administration and DNC, as well as rogue intelligence agencies.

That this unvetted fraud was then quickly disseminated throughout the global MSM provides further evidence of a highly organized coup against the president-elect. Because the inauguration is only 9 days away, look for many other desperate attempts to bring down Trump before he even steps in the Oval Office.

The Company, also known as the C.I.A., has had more experience than any other US agency in conducting color revolutions across the planet.  However, the agents of the C.I.A. really work for Deep State not We the People.  Therefore, if not very watchful, the American people will get to experience a Purple Revolution in their own back yard.

BEWARE: The Purple Revolution Comes To America…
…Courtesy of George Soros,
the Clinton Crime Family,
and the Obama Administration

State of the Nation

The FBI plot to overthrow the presidency and commit organized TREASON in America

 by: 

Most people never thought they would see the day that the FBI would become so politicized that many of its members actively lie and commit treason in an attempt to bring down the President of the United States, but alas, here we are.

While our criminal justice system was originally established to give all Americans, regardless of their background and political ideology, fair and equal treatment under the law, that all changed when Barack Obama became the 44th president of the United States. With the Department of Justice under his control, Obama was able to appoint radical leftists like Eric Holder and Loretta Lynch to do his bidding, which mostly consisted of race-baiting and using the law to specifically target conservative Americans. In this way, the justice system became not only entangled in rampant corruption, but also a weapon used by the left to destroy their political enemies.

Today, even though Donald Trump has taken over Barack Obama’s seat inside the Oval Office, rogue Obama appointees that still reside in the Department of Justice are doing what they’ve always done; the only difference is that now they have the advantage of working to dismantle the conservative movement from within.

Perhaps one of the most outrageous and desperate allegations made by the left in recent history is the idea that President Trump and various members of his team colluded with the Russians throughout the 2016 presidential election, which ultimately helped Trump defeat Hillary Clinton last November. Despite no concrete evidence whatsoever, the liberals, including and especially leftists within the mainstream media, have been hellbent on convincing the American people that something illegal occurred. Eventually, they were rewarded for their efforts with the appointment of Special Counsel Robert Mueller, who has gone on to conduct one of the most biased and politicized FBI investigations in American history.

To give just one example, it was recently revealed that a top FBI agent at the center of the investigation into the so-called “Russia collusion scandal,” Peter Strzok, exchanged several anti-Trump text messages with FBI lawyer Lisa Page, who was also appointed to Mueller’s investigative team. Although Strzok was suspended from the investigation for his overwhelming bias, it goes to show that Robert Mueller really didn’t take enough time to ensure that his team was fair and honest in the first place. (Related: The bogus “Trump-Russia collusion” story is nothing but a political hatchet job cooked up by Obama loyalist John Brennan.)

It’s also worth noting that Peter Strzok was the FBI’s lead investigator on the investigation into Hillary Clinton’s mishandling of classified emails during her time as Secretary of State. Strzok even interviewed Clinton on July 2, 2016, just days before then-FBI Director James Comey announced that he would not be recommending any charges. If Peter Strzok is this biased and this willing to defend liberal Democrats, why would Robert Mueller recruit him for his team?

Of course, Peter Strzok is only one of many individuals on Robert Mueller’s team that has an obvious left-wing slant. FBI Deputy Director Andrew McCabe, for example, was involved in both the investigation into Hillary Clinton’s email server and the investigation into the uranium one sale, neither of which conveniently resulted in legal consequences for Clinton. McCabe’s wife also received roughly $675,000 from Clinton supporters and left-wing organizations during her campaign for Virginia state senate. Other people on Mueller’s team with liberal biases include Andrew Weissmann, Justin Cooper, Jeannie Rhee, Bruce Ohr, and others.

If all of this isn’t enough to convince you that this entire investigation into Russia’s role in the 2016 presidential election is just a politicized witch hunt designed to destroy President Trump and his administration, then what is?